Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
In Matrix, every “OSC”, “ADSR”, or “LFO” creates its own matrix. In the Routing-section you are able to link these matrixes together to create a sound. You are allowed to modulate the Frequency of the OSCs, the audio stream of your OCSs or just the “ADSR” output value.
http://mainstreamaudio.ma.funpic.de/
Matnitron is a one-preset strings module with amplitude envelope generator.
http://smatni.tripod.com/safwanmatnivstplugins/
Mate is a hands-on, simple desktop musicians friend, inspired by synthesizers of the seventies and eighties. It produces original synth tones and reproduces strings, pianos, basses, organs and bells patches with ease, but it can also explore wild and spacey atmos using its flexible modulation options and smart programming.
Tech notes:
- 32-bit ultra-optimized code, zero latency, samplerate independent engine.
- All sample rates supported.
- Each control is fully recordable and automatable in host.
- Most knobs & switches receive external MIDI control changes.
http://www.blank-media.it/acrobatics/
Massive Evolutions II – Free:
- great Formant & Vowel Filters controllable via Modwheel or Aftertouch (see video).
- load up to 3 presets and swap them via dynamic key-switches.
- great for all kinds of EDM & modern Cinematic Music like Dubstep, NeuroFunk, Complextro, Trap, …
- full version of Kontakt 5 (or later) required.
Full Version:
- More than 600 presets available (all sound packs).
- Load up to 10 presets.
- Full FX control.
- additional sound packs.
Overview
The Massive Evolutions 2 was especially developed for all kinds of EDM (Electronic Dance Music) like Dubstep, Drum & Bass, House, Complextro, etc
All Synths are post-processed with innovative FX. The Massive Evolutions 2 is addressed to ambitious Sound Designers as well as to Producers who need to work quickly without having to abandon quality especially with TV-, game- or advertising projects.Load up to 3 presets (full version: up to 10) and swap them only with a few Key strokes (green keys). While swapping the sounds you can control many parameters like Filters, AEG, FX, Pan, … in real time to additionally “morph” the sound.
The free version contains a small selection from the 600+ preets you can get with the additional sound packs which contain Leads, Basses, Pads, Arpeggios, SFX, Stabs, Reversed Sounds and more. The Massive Evolutions II will work great during live performances but also with any studio productions. Especially regarding Dubstep, NeuroFunk, NeuroHop and all Synth based or Cinematic productions.
Hint for Live Acts:
record a MIDI track with pre-defined automations / swappings so that you can focus on playing the melody or chords while doing some basic sound control with you mod wheel or after touch like formant filters etc.Genres
Electro, Dubstep, Complextro, Neuro Funk, Neuro Hop, Chillstep, Trap, House, Ambient, Glitch Grime, Hip Hop, Pop, TV Commercials, Film Music, Game Music, Atmospheres.
https://www.yummybeats.com
Marijuana Vsti has some old-school rave and techno sounds on-board.
http://www.tikov.com/softrave/softrave.htm
Marie Ork is a voice bank for the free Plogue Alter/Ego singing synthesizer. She was created from recordings of a female death metal vocalist. Version 1.000 was created for the 2016 KVR Developer Challenge, and included two voices: growl which is a noisy unpitched vocal and space with capable of producing a discernible pitch with some unusual tones.
In version 2.0, her voice bank contains four voices, adding the clean singing voice and the talker. All the growl and space voice recordings were of English phonetics, while the clean and talker voices also have a few additional phonemes for Latin. Japanese is also supported, but will have an accent. More than 20 presets are included ranging from conventional singing to dubstep basses. The total download size is 652 MB.
Walkthrough: {See video at top of page}
http://www.karoryfer.com/karoryfer-samples
VSTi-plugin «Marazmator», is the virtual synthesizer creating unusual sound forms. The subject of sounds strikes with the variety, it both sound space plots, and the natural phenomena, sounds of technical character (engines, mechanisms, the tool and тп), different voices, and sound objects which are simply not giving in to any description. The synthesizer can be used in different genres and the directions to the modern electronic and experimental music such as: Ambient, Chillout, Industrial, Noise, Dub, Jungle, Drum’n’Bass, Trance and so forth. It can be used as the generator of special effects in audio tracks for different applications, games, theatrical performances, movies (documentary, a fantasy, mysticism and etc.). With its help it is possible how to create the very long on time morfiruyemy sound forms, and rhythmic repeating – loops (Loop). We hope that by means of this plug-in you will be able to bring new sound forms which will surprise listeners to this world, will make your music more various and more interesting.
Marazmator – a monothematic synthesizer as polyphony in this case doesn’t make a sense, synthesizer sounds in most cases have no musicality determination. But for the organization of the polyphonic mode if that is required, it is necessary to create several enkzemplyar of a plug-in.
Functionally, the synthesizer is a set of the functional units:
Three generators with four types of wave forms: sine, triangle, saw and reverse saw. Oscillations of each generator is exposed to amplitude distortions: distortions (direct and reverse) and bit reductions. Generators connect according to a certain diagram, providing nine options of switching of communications in between, to different modes of interaction: frequency (F) and multiplied (M) modulations.
Pipe – the filter. The virtual analog of a pipe through which there passes the sound, resounding on the overtones depending on its geometrical sizes.
The LF and HF adjustable filters with different types of filtering: biquadratic filter, Butterworth and Chebyshev filters.
The unit of effects including a flanger and a reverberator.
Pattern sequencer.
Presets control box.
Detailed help manual.
Banks with presets, sequencer patterns, and also the detailed reference guide in the English and Russian languages are a part of a set of installation in addition to the synthesizer that considerably simplifies use of this plug-in.
{See video at top of page}
http://stone-voices.ru/
Mangling Audio is a free collection of glitch sound effects and processed audio loops crafted by Poztman. The library contains over 300 individual sounds in 24-bit WAV format, along with a set of instrument patches for Kontakt 5.
The sounds were created by processing raw data and using software plugins in new and unusual ways. Extreme time-stretching, experimental convolution and software misuse are some of the creative techniques which were used to craft the samples and loops included in this free sound library.
Contents:
- 149 glitch samples.
- 183 audio loops.
- 4 x NKI patch.
- 24-bit WAV format.
- 44.1 kHz Stereo.
- 547 MB size on disk.
- 287 MB download size (RAR archive).
{See video at top of page}
http://99sounds.org
Mandala VSTi is good for making tempo-synced rhythmic sounds, sequences, pads for experimental electronica and IDM.
http://www.tikov.com/softrave/softrave.htm
MaK is a Kontakt instrument which replicates the sounds of a person using various computer keyboards, mice, or touchscreen devices. This allows you to very quickly perform the foley of using one of these devices via MIDI.
Lite Version Info:
- Only 2 of 15 Devices enabled: Laptop Keyboard and Laptop Mouse
- No other limitations
The description below details the full version of MaK:
MaK was created to speed up the time consuming process of editing and/or recording mice and keyboards. After realizing how often this came up in both my commercial and film work, I decided there had to be a better way.
Several recording sessions and Kontakt script headaches later, MaK was born.
There are 15 devices available in MaK: 5 Keyboards, 5 Mice, 2 Touchscreens, and 3 digital keyboards. Each of these devices has been meticulously recorded at a number of different velocities for a very realistic playback performance.
The majority of the devices have 5 velocity layers; from soft to hard. Each of these velocity layers have 32 different samples: 16 for the press sound, and 16 for the release sounds of each device. That’s 160 samples per device. MaK will randomly trigger press and release samples for each layer based on the velocity you play the notes. Easy to use controls allow you to adjust additional layers of randomness in both velocity and pitch. All of this adds up to realistic devices, and convincing performance.
{See video at top of page}
http://collectedtransients.com
