Download Category: Software Synthesizer

Bleep’ is a synthesizer, which was inspired by the sound of MOS Technology SID. However, Bleep’ is not an emulator of this chipset, but only partially similar to its architecture.

Features:

• 3 oscillators with four waveforms: sawtooth, triangle, pulse (with PW) and noise.
• Each oscillator has its own detuner, ADSR envelope, and multimode LP/BP/HP filter.
• Multimode LFO synced with BPM and Random mode.
• Modulator Envelope Generator.
• Pseudo arpeggiator.
• Overall multimode filter.
• Adjustable degrader.
• Built-in preset manager with ability to patch name editing.

In addition, VST automation and full MIDI Learning are supported.

http://tonebytes.com/

Blaster is a Ray-gun noise maker.

Features:

• 1 oscillator (sine, square, saw, tri, noise, half-sine, tri-saw).
• ADSR Amp envelope.
• LFO speed and depth controls.
• Onboard ping-pong delay.
• 16 presets.

http://lithiumsound.com/

Black combines a 3d oscillator form with ‘chaos’ producing filtered feedback to produce a complex textural synthesis engine with several degrees of continuous variation.

Two ‘performance modulator’ LFOs feature 60 contours including a selection of strange attractors and atypical sequencing options. The gui includes an oscilloscope display.

Black is ideal for producing sounds that will leave people wondering how they could have been made.

https://www.kvraudio.com/developer/xoxos

Bend Box is a software synthesizer that emulates a circuit-bending device. It can be useful for experiments and for creating various noise FX. All knobs can be tweaked manually or through easily assignable MIDI controllers. MIDI Automation is also available.

With Bend Box you can get wide range of noises: from soft gurgling to ringing grinding, or even strange melodic timbres.

http://tonebytes.com/

BassTard is a monophonic subtractive synthesizer, designed to put out ground-shattering low frequency content. BassTard was created around simplicity, delivering only the parameters needed to sculpt your perfect bass sound. Every major parameter has MIDI learn functionality, via the right mouse button.

Oscillators.

At the core of BassTard’s engine is a pair of unique oscillators, both with variable waveforms from a selection of shapes created with sub-woofer rattling bass sounds in mind. The unique waveshape morphing parameters allow you to create almost endless combinations of waveforms, enabling you to create individual flare for each sound. Each of the oscillators runs through an ADSR envelope before reaching the filter stage.

Filters.

The first filter is a “Moog” styled low-pass filter, controlled by the Filter Envelope section, and optionally via keyboard velocity and note. The second has variable filter types, designed to add overtones to the original filter, it is also optionally controlled via keyboard note tracking.

Filter Envelope.

The Filter Envelope section was not only crafted with the idea of being able to create the tightest of filter curves, but also with the ability to function as an LFO modulator, for warping bass sounds. This is easily achieved by adjusting the settings via the right mouse button menu.

Equaliser.

BassTard comes equipped with a simple to use parametric EQ with spectrum analysis, to help identify erroneous frequencies and further sculpt your perfect bass tone. The idea was that often an EQ plays a very integral role in the construction of a bass patch, and to be able to save and operate all the parameters within one host would be a key feature in finding the sound you want quickly and effortlessly.

Transient Shaper.

Second last in the signal path is a transient shaper, to balance or accentuate the peaks or dips of the total dynamic range of your sound. The transient shaper functions slightly differently from a regular envelope in that rather than the parameters controlling time based functions, they control the amplitude of either the peak or dip.

Compressor.

Finally, for good measure, we added a dual-band compressor into the chain. The compressor is able to smooth out the most aggressive of basslines, or bring out roaring harmonics from soothing tones. It has a dry/wet parameter, allowing you to dial in just the right amount of compression needed to compliment your sound perfectly.

http://www.hawkvst.co.za/