Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
PhysiX does true physical modelling using the “nodes and mass model”. It simulates up to 64 nodes per voice and “true physical inter-modulation coupling” (one swinging wave affects the behaviour of the others).
Features:
- Unusual sound.
- 23 different node and mass models.
- 11 different excitement modes.
- 2 wave coupling modes.
NOTE: PhysiX uses the hosts’s default GUI.
http://www.obertone.com/
Phybes is a physically modeled VST instrument suited for emulation of vibraphone and similar mallet instruments. A mass-spring modeled mallet impulse is applied to a banded waveguide to produce continuous tonal variation in response to dynamic performance. A coupled waveguide creates resonator and modulation effects to provide a low resource emulation with pleasing dynamic timbrality suitable for many compositional applications.
https://www.kvraudio.com/developer/xoxos
PhybAce is a physically modeled bass guitar (Note: SynthEdit was used for GUI and FX only; the tone generator is based on original C++ code). The model includes:
- string;
- pick (stiffness, position, picking way);
- body resonances;
- two pickups (with positions);
- “slide mode” for legato up, etc.
PhybAce Pilot is a test of the platform, coming with limited set of features/controls, still coming close enough to the full-scale power of the model. It is intended to collect opinions and suggestions for the further development.
http://www.fsynthz.com
Photon is a hybrid synth with an with an experimental ‘warp’ engine for creating evolving rhythmic sequences, random arpeggios and classic Sample&Hold style arcade weirdness.
Features:
- 2 oscillators with sync and FM.
- Warp section for S&H arpeggiation.
- Warp can be set to NoteSync for pitch.
- 5 envelopes: Amp, Filter, Mod 1&2, Audio Input.
- Each envelope can be triggered by the Warp.
- 3 assignable LFOs with high/low limit controls.
- Dual Stereo Delay section.
- Assignable modwheel and pitchbend.
- External Audio Processor.
- 64 presets.
- Includes MIDI CC Chart.
https://www.psychicmodulation.com/
Phase-Warper features a sound production method called ‘Vector Phase Synthesis’, which distorts the phase of a sine wave by a 2-dimensional vector. As the co-ordinates of the bending point of the vector are varied, a wide range of wave shapes are produced, including ‘formants’ centred around harmonics of the fundamental frequency, creating human voice-like effects.
You can see from the screenshot that unlike traditional subtractive synths, there are no wave shape selectors or filters here, as the technique doesn’t require them.
Phase-Warper can be considered a ‘method showcase’ product as it introduces a novel synthesis technique via a functioning product, so as to bring it to the attention of other developers who may then choose to evolve and incorporate it into their existing or future products.
Of course Phase-Warper is useable as-is, as a stand-alone, unrestricted real time synth for producing a variety of new sounds and textures, just lacking in ‘trimmings’ like the ability to save and load patches.
http://flexibeatz.weebly.com/
Phadia is a 2-oscillator synthesizer for Native Instruments Reaktor.
It’s based on the creation of pads and atmospheres.
http://www.dazesounds.com/
PG-23P is an emulation of the Roland JX-3P from the PG-200 programmer’s interface. It was developed using a physical JX-3P and available specifications in order to match all routing, depth, tuning, and value ranges as closely as possible. It has all the characteristics and features of the JX-3P’s synthesis including:
- Multi-Routed ENV and LFO Destinations, with Depth and Post ON/OFF switches for quick switching of Patch variations.
- The JX-3P PWM ‘trick’. Set Cross Mod to Sync, Mix to DCO-2 and control the tuning of DCO-2 (manually or with the LFO) to achieve Pulse Width Modulation.
- Separate POS. and NEG. ADSR positions for the Pitch and Filter.
- 3 Cross Modulation modes: NONE, SYNC, and METAL (a type of Ringmod w/ DCO-1 as the carrier).
- Built in Chorus.
- Turn Velocity Sensitivity to 0 to accurately recreate the JX-3P’s keyboard, or turn it to 10 to recreate the velocity sensitivity that was only to it available through MIDI-IN.
- Global Highpass Filter and VCA Modes: ENV (which uses the ADSR) or GATE (on/off response, no velocity sensitivity).
- 6 Voice, 12 Oscillators with Sine, Narrow-Pulse, Pulse-Saw, and Noise waveforms.
Full Specifications:
- Polyphonic.
- DCO:
Osc1:
- Sine, Narrow-Pulse and Pulse-Saw.
- Octave Range: 16′, 8′, 4′.
- Modulation: LFO or ENV (Positive or Negative).
Osc2:
- Sine, Narrow-Pulse, Pulse-Saw, Noise.
- Octave Range: 16′, 8′, 4′.
- Tune (transpose) ± 12 semitones.
- Fine Tune ± .65 semitones.
- Modulation: LFO or ENV (Positive or Negative).
- Cross MOD: None, Sync and Metal (sync+ringmod).
- Oscillator Mix.
- Hi-pass Filter.
- VCF:
- Low-pass Filter.
- Cutoff and Resonance.
- Envelope intensity.
- Pitch Follow.
- LFO MOD Amount.
- ADSR Envelope (Positive or Negative).
- Velocity control adjust.
- VCA:
- Main Level.
- ADSR Envelope or Gate.
- LFO:
- Shape: Sine, Pulse-Saw and Random (combination).
- Frequency.
- Delay Time.
- Destinations: DCO1, DCO2, VCF.
http://www.plosive.net/vst/
Eplex7 DSP free 18 bonus waveforms for Particle Collider SX7 scientific hybrid synthesizer
All customers will receive this bonus free with the purchase. Download link for waveforms was sent via e-mail to all existing customers.
Particle Collider SX7 is special FX and experimental synthesizer for creating modern sci-fi FX sounds, Atmospheric pads, Robotic sounds, Psytrance and Psychedelic FXs, Sweeps.
It is useful for all music styles that need modern FX sounds and atmospheres as Psytrance / Psycore / Dark Psy / Hitech / film music / video game music, experimental, industrial music or all EDM styles like Trance, DnB etc.
Video (Here is video showing additional bonus waveforms +
Instruction How to load bonus waveforms into Particle Collider SX7) : {See video at top of page}https://eplex7.com/
Particle Fountain is a monophonic synth that attaches a sound (either a sawtooth or a square wave) to a bunch of particles, which move in a 2d space like a fountain. The particles’ position in the space then determines certain aspects of the sound (frequency, amplitude, panning). There can be up to 200 particles in use at any one time.
http://www.niallmoody.com/ndcplugs
Parisma Eighties is a simple synth designed to create some Moog and 80’s synth sounds – no particular brand or model just the sound and feeling.
http://www.retrosampling.se/