Download Category: Reverb

Octophonic reverberation with 8 inputs / outputs, separate parameters for each channel.

http://acousmodules.free.fr/

SpatialVerb VST is a room modeling reverb effect unit. It models the early impulse response by simulating the response of a room using raytracing. The late impulse response is provided by a feedback delay network (FDN) which prevents ringing. The user has control over the location of two source and two destination points, room width, room height, wall absorb, cutoff, and gain.

https://www.experimentalscene.com/

Space 360 is a straight-forward room simulator and reverb effect. Behind its no-nonsense interface is a complex implementation of three distinct, yet inter-dependent algorithms for the wavefront (Direct), early reflections (Reflect), and late reflections (Ambience). The effect uses “regressive modeling” to accurately synthesize the most important elements of the reverb sound, while using a more CPU-friendly, statistical approach to the less important elements. The result combines the realism of a convolution reverb with the efficiency and flexibility of an algorithmic reverb.

The Space 360 can be used to add spatial “context” to sampled and synthesized sources, to achieve perfectly accurate binaural panning of stereo tracks, to put multiple tracks into the same virtual “room,” or to just add that perfect amount of reverb to make the source sit perfectly in the mix.

The Space 360 will not give you those lush halls that decay forever. It will not give any crazy reverse reverbs or unnatural swells. There are plenty other effects that do that well. What the Space 360 offers is a go-to room simulator and reverb that models the minute details of a natural room remarkably well while not eating up all your CPU resources. You don’t need a masters degree in physics or a ruler and protractor to achieve perfectly scaled and filtered reflections. All you need to do is move the little speakers and head around and the effect calculates them internally.

Features:

• Regressive modeling integrates all sections of the effect in the most accurate and efficient manner.
• Perfectly scaled binaural wavefront synthesis.
• Early reflections are custom calculated on-demand for realistic spacial cues.
• Adjustable HRTF with scalable polar pickup pattern, focus, and lateral spread.
• Individually adjustable damping properties for each wall of the virtual room.
• Adjustable diffusion, smear (modulation), and lo-cut filter in the reverb tail.
• All DSP has been hand programmed in inline assembly to ensure the utmost efficiency.
• Works at any sample rate.
• Easy, intuitive GUI.
• ONE PAGE user guide.

https://www.kvraudio.com/developer/cytosonic

SIR1 is a reverb device that works with “impulse-responses”. Impulse-responses are generated by recording short, broadband signals and their corresponding room-reflections, and by cutting out the initial signal. What is left contains the information needed to reproduce the same room with other signals.

Features:

• Works with a fixed latency of 8960 samples (possibly compensated by VST-Host).
• You can adjust predelay, attack-time, length and stereo width of the impulse response.
• Stretch (up & downsampling of impulse response).
• FFT EQ (to adjust the frequency spectrum of the impulse-response).
• Auto Gain (automatic volume compensation).
• Dynamic CPU Consumption (use only the CPU power that is needed to get the result).

http://www.siraudiotools.com/

SIMPREV is a simple, easy-to-use, reverb plug-in.

http://www.wokwave.com

There are times when I want a reverb for its smearing, tail-producing qualities, but a regular reverb isn’t ugly enough. This was created to solve that problem. It sounds just like the name implies, and sometimes that’s just what the situation calls for.

http://synthgeek.skincontact.com/

The Sanford Reverb is a true stereo reverb. It is capable of simulating everything from small rooms to giant cavernous spaces. Its sound is dense, clean, and crisp making it perfect for most situations.

Left and right input channels each have a set of 3 early reflections that can be independently set. The filter section lets you shape the tone of the reverb’s output, and damping is provided to simulate wall absorption. Together these features let you shape the reverb sound to simulate almost any room.

Modulation is also provided to add motion to the reverb tail. The result is a more animated and lively reverb.

Key features:

• Control 6 early reflections, 3 for each channel.
• Filter section for shaping the tone.
• Damping for simulating wall absorption.
• Tail Modulation.
• Freeze Mode.
• MIDI Learn.
• Low CPU usage.

http://www.lesliesanford.com/