Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Flea-2 is a tiny, low CPU, but thumping bass synth using a combination of FM and subtractive with a wicked distortion cherry on top.
http://www.krakli.com
Built for the KVR Developer Challenge 2007, The Element of Surprise is a fun little freeware synth that is designed for one purpose only… to make really cool randomly generated sounds for fast inspiration and experiments in spontaneous song writing. The interface is simple, but under the hood there is a full synth with multiple oscillators, filters, various types of modulation, and effects, all optimized to provide a wide variety of usable randomly generated sounds.
Features:
- A randomizer that produce useful results more often than not.
- A full synth under the hood.
- ADSR adjustment via a single control.
- Optional envelope randomization.
- Velocity control.
http://www.ugoaudio.com/
The blooo is a polyphonic software synthesizer for Microsoft Windows (VST) and Apple macOS (VST/AU) based on the classic subtractive synthesis architecture.
Main features are:
- Up to 64 voices polyphony including portamento.
- Two band-limited oscillators including Ring modulation and Soft/Hard sync.
- Four oscillator waveforms (sawtooth, pulse, sawpulse, sine) with shape control.
- Additional white noise generator.
- Two multi-mode four-pole zero-delay feedback filters (lowpass, highpass, bandpass, allpass, phaser) with resonance and panorama control.
- Three envelopes (ADSR) with exponential slopes.
- Three low frequency oscillators (LFOs) with tempo synchronization.
- It is written in native C++ code for high performance even on “lighter” systems.
- MIDI Learn – all parameters can be controlled by MIDI CC.
- Plug-in supports Windows and macOS (32-bit and 64-bit).
https://SoundCloud.com/full-bucket/monom-the-blooo-kvr-osc-98
{See video at top of page}
http://www.fullbucket.de/music/vst.html
The Snake is a distinctive sounding PolySynth with an organ like oscillator section and Hi and Lo pass filters.. plus the added Swirl factor.
http://www.krakli.com
Kill Bill has a tune in its soundtrack by Ennio Morricone featuring a haunting and evocative whistling. This ‘mini-synth’ is designed solely to re-create that sound – just add reverb. This shepherd likes to whistle while he works.
http://www.simple-media.co.uk/vsti.htm
The Lizard is a Wild and Abrasive FM synth with full Envelope and LFO control of all Modulators.
http://www.krakli.com
The Hands Of Darkness has one purpose – to create dark, unsettling organic/metallic ambient textures.
The Hands Of Darkness is a synthesizer consisting of three layered oscillators using abstract mathematics to form their waveforms (each layer can be turned off to save CPU). These layers of waveforms emit idiosyncratic tones which are sequentially molested into menacing sounds to ultimately combine into one final synergy of “delightful corruption”. It allows you to create “subtle warbly puddles of mercury, harsh abrasive fields of rust, or even robotic cascades of binary dementia; ghostly drones, or morphing dissonant cavalcades”.
Each of the three sound generator layers includes an Oscillator with LFO pitch, LFO phase shift, ADSR, artifacting pitch shift with LFO, granulizer with LFO, bitcrusher with LFO, delay with timing offsets and modulation plus LFO, auto-panner, analog filter, and individual volume control. A global reverb is also included.
http://www.gersic.com/plugins/hosted/darkware/darkware.html
The Face has one sound which can vary from nice to angry.
http://www.jam-world.de/index.php?modul=download&seite=kath&kath=1
The Devil Inside is a Distortion + Feedback Synth VSTi.
http://www.uv.es/~ruizcan/p_vst.htm
This is no typical high-gain distortion device, nor a ‘decimator’ or bit crusher but it is some sort of saturator. It is intended for a mixer’s insert path to act as a preamp stage. It smoothes out the transients, gives more overall gain and warms a bit.
On good days, it behaves similar to a tube input stage, adds some gentle warmth to the input signal, brings up the overall level and just sounds as if it’s consisting of analog circuits. On bad days it creates muddiness, sounds confusing, crappy and digital as hell.
Features:
- Soft Saturation Simulator.
- Gain, Punch, Clip shape & Output controls.
- +6dB-Switch (doubles the input level).
- Bypass.
http://www.digitalfishphones.com/
