Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
CetoneOrg is a “Hammond like VSTi”.
Specifications:
- 89 tonewheels using original frequency dividers and 60Hz AC.
- Adjustable keyclick and (slight) tone control.
- Velocity controlled tonewheel “switch-on” delay.
- Chorus/Flanger.
- Reverb.
- Tanh like saturation.
NOTE: Uses the plug-in host’s default GUI.
http://neotec.argle.de/cetone/
CetoneLight is the light version of CetoneSynth. Its code is based on some code examples from musicdsp.org.
Specifications:
- 3 Oscillators with Saw, Pulse, Triangle and C64 type noise waveforms. Sync is currently disabled.
- 2 AHDSR Envelopes with durations from nearly zero up to ten seconds.
- 7 different resonant filter types.
- 4 modulation slots.
- LFO with speeds between nearly zero and 50Hz.
- C64 fast arpeggiator.
http://neotec.argle.de/cetone/
Cetone033 is a simple bassline synthesizer. Its code is based on some code examples from musicdsp.org.
Specifications:
- 2 Oscillators with Saw, Pulse and Triangle waveforms. Morph parameter controls either pulsewidth or Triangle-to-Saw morph value.
- 2 Envelopes with attack and decay times from nearly zero up to one second.
- Resonant Butterworth 24db filter.
http://neotec.argle.de/cetone/
cesSynth3 is a Wavetable Synth.
http://www.loftsoft.co.uk/
Cement 2 follows the same concept such as Cement, but contrary to that it is based on three different instruments which are Baritone Ukulele, Guitar Harmonics and a Marimba! Below you’ll find the Cement description:
Cement is a sequencer based pattern generator which is suitable to enrich a music production and lend it a specific character. It is designed to allow the user to create cementing textures, crawling patterns or a fundamental for your musical idea.
Cement comes up with three layered instruments which can create numerous sound colors. The instruments are: a sinus synth, a banjo combined with guitar harmonics and a music box. For changing the entire sound character, Cement provides plenty of options to modify the sound to your very own requirements: low-pass- and high-pass filter (with a random high pass modulator), distortion- and speaker switches, an alternate sinus sci-fi sound, separate length settings and separate slider to set the amount of two delays and a reverb.
Cement runs in stand alone mode as well as in-sync to your host application. Just easily click on the 16th note of your choice to play the sound – a second click increases the velocity level – a third click removes the note, then click on the note symbol to change its pitch. Cement provides 4 different kinds of scales, transposing functions, shuffle- and tempo modes and finally load/ save switches to save/recall the entire setting of Cement.
http://www.cinematique-instruments.com/
CCStepper is a VST MIDI CC data sequencer plugin, suitable for controlling MIDI capable software (softsynths or effects) or external hardware devices.
CCStepper lets you create up to 8 independent sequences with up to 64 steps each, and can either be synced to your host or triggered by MIDI notes. The step rate can be set from 1/128 notes and up to 32 bars, and various randomization features allows you to create unpredictable sequences.
Freeware for Windows, both 32 and 64-bit.
http://www.codefn42.com
Caveman Cosmonaut is an anachronistic instrument using samples of a 1980s Unitra B 11 transistor organ with modern modulations.
Key features:
- Bass oscillator with four selectable sounds.
- Three non-bass oscillators with seven selectable sounds.
- AHDSR volume envelope.
- Lowpass filter with controls for cutoff, resonance, keytracking and an envelope.
- Vibrato with three targets, delay and fade.
- Independent, random humanization of vibrato for each voice.
- Unison mode for non-bass oscillators with width, and separate constant detune and temporary detune.
- Polyphonic mode and mono mode with portamento time control.
- 370 samples.
- 93 MB download size.
Requires Plogue sforzando 1.961 or newer.
Walkthrough video: {See video at top of page}
http://www.karoryfer.com/karoryfer-samples
The CBW01 drum machine was created for music-society.net.
Registration is required at music-society.net in order to download this VST instrument. (registration is free). Registration problems and queries should be sent directly to [email protected]
CBW01 features 4 drum hit editors and 1 effects section. Each editor and the effect section has independent MIDI controls including, MIDI Channel, MIDI note Hi and Lo (key range) and 16 modulation slots (sources, pitch wheel, mod wheel, velocity and key follow). This allows for greater dynamics whilst playing. See the feature list below
for each drum hit’s modulation destination possibilities.The kick editor also has a space for writing patch information, hit channel, key range, etc. This helps when sharing presets or when your patches are getting a little complex you can make notes.
https://soundcloud.com/saltline/jezdnie
https://soundcloud.com/saltline/cbw01-demo
- Kick editor:
- Low:
- 2 Waveforms (sine and triangle).
- Pitch -12 to +12 semitones (Root pitch A).
- Pitch envelope curve response, decay, amount.
- Vol envelope curve response, decay, release, amount.
- Mid:
- 2 Waveforms (sine and triangle).
- Pitch -12 to +12 semitones (Root pitch A).
- Pitch envelope curve response, decay, amount and link to low envelope.
- Vol envelope curve response, decay, release, amount.
- Air:
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, attack, decay, release, amount.
- Ouput stage:
- SV filter (lp, hp, bp, br) cutoff and resonance.
- Kick volume.
- Effect send amount:
- SV filter (lp, hp, bp, br) cutoff and resonance.
- Send amount.
- Mod destinations (22):
- Kick pitch (global).
- Low pitch.
- Low pitch decay.
- Low pitch amount.
- Low volume decay.
- Low volume amount.
- Mid pitch.
- Mid pitch decay.
- Mid pitch amount.
- Mid volume decay.
- Mid volume amount.
- Air cutoff.
- Air resonance.
- Air volume attack.
- Air volume decay.
- Air volume amount.
- Out filter cutoff.
- Out filter resonance.
- Effect filter cutoff.
- Effect filter resonance.
- Effect send amount.
- Kick volume.
- Snare editor:
- Wave 1:
- 4 waveforms (sine, triangle, saw, pulse).
- Pitch -12 to +12 semitones (Root pitch A).
- Pitch envelope curve response, decay, amount.
- Vol envelope curve response, decay, release, amount.
- Wave 2:
- 4 waveforms (sine, triangle, saw, pulse).
- Pitch -12 to +12 semitones (Root pitch A).
- Pitch envelope curve response, decay, amount and link to low envelope.
- Vol envelope curve response, decay, release, amount.
- Noise 1:
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, attack, decay, release, amount.
- Noise 2
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, attack, decay, release, amount.
- Output stage:
- SV filter (lp, hp, bp, br) cutoff and resonance.
- Snare volume.
- Pan.
- Effect send amount:
- SV filter (lp, hp, bp, br) cutoff and resonance.
- Send amount.
- Mod destinations (28):
- Snare pitch (global).
- W1 pitch.
- W1 pitch decay.
- W1 pitch amount.
- W1 volume decay.
- W1 volume amount.
- W2 pitch.
- W2 pitch decay.
- W2 pitch amount.
- W2 volume decay.
- W2 volume amount.
- N1 cutoff.
- N1 resonance.
- N1 volume attack.
- N1 volume decay.
- N1 volume amount.
- N2 cutoff.
- N2 resonance.
- N2 volume attack.
- N2 volume decay.
- N2 volume amount.
- Out filter cutoff.
- Out filter resonance.
- Effect filter cutoff.
- Effect filter resonance.
- Effect send amount.
- Snare volume.
- Snare pan.
- Clap editor:
- Wave 1:
- 4 waveforms (sine, triangle, saw, pulse).
- Wave Mod, Speed, shape, pitch.
- Vol envelope curve response, decay, amount.
- High pass/band pass filter, cutoff and resonance.
- Signal delay.
- Pan.
- Wave 2:
- 4 waveforms (sine, triangle, saw, pulse).
- Wave Mod, Speed, shape, pitch.
- Vol envelope curve response, decay, amount.
- High pass/band pass filter, cutoff and resonance.
- Signal delay.
- Pan.
- Noise 1:
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, decay, release, amount.
- Noise 2:
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, decay, release, amount.
- Ouput stage:
- Clap volume.
- Effect send amount:
- Send amount.
- Mod destinations(26):
- W1 Mod speed.
- W1 Mod shape.
- W1 Mod pitch.
- W1 volume decay.
- W1 volume amount.
- W1 cutoff.
- W1 resonance.
- W1 pan.
- W2 Mod speed.
- W2 Mod shape.
- W2 Mod pitch.
- W2 volume decay.
- W2 volume amount.
- W1 cutoff.
- W1 resonance.
- W1 pan.
- N1 cutoff.
- N1 resonance.
- N1 volume decay.
- N1 volume amount.
- N1 pan.
- N2 cutoff.
- N2 resonance.
- N2 volume decay.
- N2 volume amount.
- N2 pan.
- Effect send amount.
- Clap volume.
- Hats editor:
- Wave 1:
- 2 Waveforms (sine and triangle).
- Pitch -12 to +12 semitones (Root pitch A).
- Pitch envelope decay, amount.
- FM depth, pitch, amount.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, decay, amount.
- Wave 2:
- 2 Waveforms (sine and triangle).
- Pitch -12 to +12 semitones (Root pitch A).
- Pitch envelope decay, amount.
- FM depth, pitch, amount.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, decay, amount.
- Noise 1:
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, decay, release, amount.
- Noise 2:
- Noise generator.
- High pass/band pass filter, cutoff and resonance.
- Vol envelope curve response, decay, release, amount.
- Output stage:
- Hats volume.
- Hats pan.
- Effect send amount:
- Send amount.
- Mod destinations (31):
- W1 pitch.
- W1 pitch decay.
- W1 pitch amount.
- W1 FM depth.
- W1 FM pitch.
- W1 FM amount.
- W1 cutoff.
- W1 resonance.
- W1 volume decay.
- W1 volume amount.
- W2 pitch.
- W2 pitch decay.
- W2 pitch amount.
- W2 FM depth.
- W2 FM pitc.
- W2 FM amount.
- W2 cutoff.
- W2 resonance.
- W2 volume decay.
- W2 volume amount.
- N1 cutoff.
- N1 resonance.
- N1 volume decay.
- N1 volume amount.
- N2 cutoff.
- N2 resonance.
- N2 volume decay.
- N2 volume amount.
- Effect send amount.
- Hats volume.
- Hats pan.
- Effects section:
- Delay:
- Rate (sync to host).
- Feedback.
- SV filter (lp, hp, bp, br) cutoff and resonance.
- Mix.
- Reverb:
- Size.
- Width.
- Damp.
- SV filter (lp, hp, bp, br) cutoff and resonance.
- Mix.
- Mod destinations (11):
- Delay rate.
- Delay feedback.
- Delay cutoff.
- Delay resonance.
- Delay mix.
- Reverb size.
- Reverb width.
- Reverb damp.
- Reverb cutoff.
- Reverb resonance.
- Reverb mix.
- Other:
- Master Volume.
http://www.decadebridge.com/
CatchDad is the second Noisebud plug-in created strictly for live situations. With CatchDad you can catch 4 different sounds with just the click of a button and instantly start to program rhythms with the built in step sequencers.
Put it on a channel (or return track) in Ableton Live (or any other VST host that send time signals). Activate live monitoring if you like to record live sounds or run a loop trough CatchDad and start programming beats on the fly, or you could use loops as sound banks to change sound as you go or catch a live drummer and start to rearrange what he’s playing in real time or just add hits here and there.
Other features:
- Shuffle.
- Adjustable sequencer length (you can create isorhythmic patterns).
- ‘Free’ or ‘host’ tempo modes.
- Auto record. CatchDad can be set to record automatically.
- Pitch can be set to either 12 tone equal temperament or free.
- There are 128 user presets accessible by MIDI program change. If a user preset is changed it is saved with the song/project. Up to 128 presets with the project, so there is no need for a store button. Really handy in Ableton Live, just create a MIDI clip with the program change and the pattern will load immediately when the clip is launched.
http://www.noisebud.se
Catalyzer is a samplebank VST instrument for Windows, or a HTML 5 Version for any Web Browser on any OS, that comes pre-loaded with an octave full of cat meows, screams and other noises. That’s 12 pre-loaded kitties in all. Not enough? Want to change it up a bit? By right clicking on any of the cat buttons, you can change the MIDI or keyboard key that triggers it using the “Learn” function. You can also “Load” a new sound on to the button – any sound you want.
Here is a full feature list:
- 12 Preloaded kitty noises.
- Trigger sounds with a click, computer keyboard or MIDI interface/keyboard.
- Change triggered sounds by right clicking a button and selecting “Load”.
- Change mapped key by right clicking a button and selecting “Learn”.
- Master volume control.
http://rancorsoft.com