Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
TigerDelay is a delay plug-in with a 24dB resonant low-pass filter and a compression function for ducking.
Features / controls::
- Tempo (either in ms, or as note-value (1/4, 1/8 dotted, 1/16 Triplet etc.).
- Sync / Async to beat.
- Ducking.
- Dry/Wet.
- Feedback.
- Cutoff.
- Resonance.
http://software.neuenberger.de/
The Filtermate plugin was built as a “Rhythmic Filter Module”, as such it is designed for making automated or non automated filter processing to any given audio material that is fed into it with the minimum of controllers.
Basically it consists on a Clock driver that animates an LFO (Low frequency oscillator) which is coupled to a multimode filter and a mixer, a design very often found on the front panels of many vintage synthesizers, but this time as an independent plugin for you to tweak at your own will.
The Filtermate is fully automatable and has the ability to store 64 presets. It ships with a few already pre programmed ones that will show what its all about and may be the starting point to your individual creations.
Installation procedure: Unzip the file, then copy the DLLs into your VstPlugins folder.
TDR VOS SlickEQ is a mixing/mastering equalizer designed for ease of use, musical flexibility and impeccable sound.
Three (and a half) filter-bands arranged in a classic Low/Mid/High semi parametric layout offer fast and intuitive access to four distinct EQ modes, each representing a set of distinct EQ curves and behaviors. An elaborate auto gain option automatically compensates for changes of perceived-loudness during EQ operation. Optionally, SlickEQ allows to exclusively process either the stereo sum or stereo difference (i.e. “stereo width”) without additional sum/difference encoding.
In order to warm up the material with additional harmonic content, SlickEQ offers a switchable EQ non-linearity and an output stage with 3 different saturation models. These options are meant to offer subtle and interesting textures, rather than obvious distortion. The effect is made to add the typical “mojo” often associated with classy audio gear.
An advanced 64-bit multirate processing scheme practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more.
SlickEQ is a collaborative project by Variety of Sound (Herbert Goldberg) and Tokyo Dawn Labs (Vladislav Goncharov and Fabien Schivre).
Key specs and features:
- Intuitive, yet flexible semi parametric EQ layout.
- Full featured, modern user interface with outstanding usability and ergonomics.
- Carefully designed 64-bit “delta” multi-rate structure.
- Three EQ bands with additional 18dB/Oct high-pass filter.
- Four distinct EQ models: “American”, “British”, “German” and “Soviet” with optional non-linearity.
- Four output stages: “Linear”, “Silky”, “Mellow” and “Deep”.
- Advanced saturation algorithms by VoS (“stateful saturation”).
- Highly effective and musically pleasing loudness compensated auto gain control.
- Oversampled signal path including stateful saturation algorithms.
- Stereo and sum/difference processing options.
- Tool-bar with undo/redo, A/B, advanced preset management and more.
{See video at top of page}
http://www.tokyodawn.net/tokyo-dawn-labs/
TDR NOVA is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, each band also includes a full featured dynamics section allowing the processor to cover an impressively wide range of applications. Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant answer.
A user friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful processing capabilities. With its four dynamic EQ bands and additional high-pass and low-pass filter sections, NOVA can meet the most exotic demand. Intuitive equal loudness functions help finding the optimal setting without getting distracted by loudness differences.
In practice, the processor covers a whole bucket of tasks:
- Parametric equalization.
- Dynamic equalization.
- Frequency selective compression.
- Multi-band compression.
- Wideband compression.
Of course NOVA features all helpers and work-flow enhancements you’ve come to expect in a TDR plugin: A preset manager, undo/redo, A/B, detailed documentation, copy & paste, and much more.
TDR Nova is free. The improved “Gentleman’s Edition” is available here.
{See video at top of page}
http://www.tokyodawn.net/tokyo-dawn-labs/
TAL-USEq is especially designed after some tilt EQs from the 1970s. This type of EQ allows you to adjust the audio material without changing the character of a sound to much. It’s an easy way to make an audio signal sound darker or brighter with only one knob. The bass lift knob is a special addition that boosts or attenuates bass frequencies below 300Hz.
Features:
- 8 dB low / high shelf filter.
- 12 dB bass lift filter at 300 Hz.
- Variable center frequency (100 – 10,000Hz).
- Adjustable bandwidth (q: 0.1 to 2.0).
- Volume knob.
- On/Off switch.
- Very easy to use.
- Low CPU.
https://tal-software.com/
TAL-Filter-2 is a host-synced filter module with different filter types, panorama and volume modulation possibilities.
The device includes all 4x oversampled TAL-NoiseMaker filters: LP 24 dB, LP 18dB, LP 12dB, LP 6dB, HP 12 dB, BP 12dB, N 12 dB. It’s possible to saturate / distort the input signal by raising the input volume with the input control (only if you use a filter as modulation type). It’s also possible to modulate the panorama or volume of an incoming signal. This can be used for tremolo or trance gate effects. Panorama modulation maybe is useful to pan your percussion, hats or sound effects in the stereo room for more interesting rhythms and sounds.
Features:
- Create host / beat synced modulations.
- Easy to use graphical editor (double click deletes points, a click adds one).
- 4x oversampled TAL-NoiseMaker filters.
- Different filter types: LP 24 dB, LP 18dB, LP 12dB, LP 6dB, HP 12 dB, BP 12dB, N 12 dB.
- It’s possible to saturate / distort the input signal by raising the input volume (only for filters).
- Panorama modulation (-3dB).
- Volume modulation.
- Different modulation tempo (x1, x2, .. x32).
- Depth control as a simple way to control the modulation intensity.
https://tal-software.com/
TAL-DUB-III is an easy-to-use delay device with some special features. It’s no tape delay emulation and has its own sound. It has an alias-free saturation stage, a non-linear 6dB low-pass and a 3dB high-pass filter that are included in the feedback path of the device. An input drive knob allows to adjust the saturation level. Pop-up menus show the current values of volume, delay-time and feedback knobs. A tab button allows to adjust the delay time for live sessions.
Features:
- Delay time up to 4 seconds.
- Non linear 6dB Low-Pass filter.
- 3dB High Pass filter.
- Alias free saturation, adjustable with the input drive knob.
- Delay x2 for each channel.
- Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and tripled and dotted notes).
- Pop-ups show the actual values dB (input drive, dry, wet), ms (delay), 0..2 (feedback).
- LED-meter shows the saturation level.
- Tab button for delay time.
- MIDI Learn for all knobs.
- The feedback knob is especially optimized for doing infinite delays.
https://tal-software.com/
TAL-DUB-II is an extended version of TAL-Dub with a completely new sound engine. A 4x over-sampled distortion stage allows you to add vintage distortion to the delayed signal (it is also possible to make clean delays). A sinus LFO has the possibility to modulate delay time and low pass filter cutoff. Adjustable LFO stereo width is also included. An analog sounding 6dB low pass filter with resonance and a 3dB high cut filter are also parts of TAL-DUB-II. Different routing options open a wide range of possibilities.
Features:
- Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and tripled and dotted notes).
- 4x over-sampled distortion stage.
- VU-Meter shows gain reduction.
- LFO (low pass cutoff and delay modulation, stereo width).
- 6dB resonance low pass filter.
- 3dB high pass filter.
- MIDI learn for all pots.
- 20 factory presets.
- Documentation.
https://tal-software.com/
TAL-Dub is a vintage delay effect. It can be used for a wide range of effects from clean to extreme distorted, resonating, never ending, delays.
Features:
- 12dB resonance filter.
- Low cut filter.
- Limiter/Distortion for high feedbacks.
- Delay time and feedback for each channel with link.
- Input signal swap.
- Filter feedback and filter fx mode.
- Filter mode for input (can also be used as filter module).
- Easy to use MIDI learn.
- 20 presets.
https://tal-software.com/
T. Rex Cut & Rez: is a multi-mode filter.
It combines 7 different filter types.
Vintage analogue GUI Design.
http://maxproject.wix.com/maxproject