Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Free Audio Plugins, VST, AU, AAX
SimpleSqueeze is a one-knob-compressor. The knob simultaneously controls threshold and gain, so that the more you crank it, the more squashed your signal gets.
http://www.betabugsaudio.com/
Simple Stutter is a real time stuttering/freeze effect VST plugin, it samples stereo and mono audio and outputs looped samples. Speed and pitch of the samples can be manipulated via a slider which allows 20 octaves of pitch control.
The plugin is small and compact and works on single and multi-core CPUs. All controls except “initial speed” can be automated and controlled via MIDI.
Features.
- Full automation.
- 20 octaves of pitch control.
- Real-time stuttering.
- Stereo or mono audio input.
http://www.jcproductionz.com/
Simple Echo has only three controls:
- The Echoes parameter specifies the maximum number of echoes that are to be played back (0 – 10).
- The Samples parameter specifies the number of samples after which you will hear the echoed sound (0 (no echo) – 44100).
- The Feedback parameter specifies the amplitude of the first echoed sample. Each successively echoed sample’s amplitude is then interpolated based on the feedback value and the maximum number of echoes to be played.
http://www.glansoftware.com/
SimpArp is a free MIDI-Arpeggiator VST plug-in for Windows. It features all the standard functions you might expect from an arp like host sync, shuffle, different play modes and so on.
http://www.wokwave.com
SN05-G, as its full name implies, is a brickwall (sample peak) limiter, best suited for the very end of the signal chain, but can easily handle also individual tracks.
Features:
- 3 stages: limiter, soft clipper, hard clipper.
- input gain 0-24 dB.
- ceiling from 0 dBFS to -24 dBFS.
- limiter attack time from 0.02 ms to 250 ms.
- limiter release time from 10 ms to 1300 ms.
- hard clipper release time from 1 ms to 500 ms (limiter on) or 0.1 ms to 50 ms (limiter off).
- fixed hard clipper attack time.
- optional soft clipping stage adjustable from 0% to 100% (0% = off).
- optional HPF for limiter’s side-chain with cutoff frequency ranging from 15 Hz to 2 kHz.
- limiter bypass (signal passes only through the clippers).
- Dual GR meter (limit/clip).
https://senderspike.wordpress.com/
SN04-G is a hybrid character 3-band channel EQ plug-in with basic surgical capabilities, LP/HP section, adjustable output volume and phase, and optional “analog modeling”. It’s designed with ASIO/CPU footprint that allows it to live across all channels of a project as a virtual console EQ.
Features:
- HF: +/-18dB shelf or bell filter with variable bandwidth and 7 switchable frequencies.
- MF: +/-18dB bell filter with variable bandwidth and 7 switchable frequencies.
- LF: +/-18dB shelf or bell filter with variable bandwidth and 7 switchable frequencies.
- HPF: slope of 6dB, 12dB, 18dB, and 24dB per octave, with 5 switchable frequencies.
- LPF: slope of 6dB, 12dB, 18dB, and 24dB per octave, with 5 switchable frequencies.
- bell filter bandwidth proportional to gain and frequency.
- symmetrical and asymmetrical modes for boost/cut (bell filter only).
- “American” and “British” shelving modes.
- output gain +/- 25dB.
- phase invert at output.
- optional rudimentary “analog modeling”.
https://senderspike.wordpress.com/
SN03/SN03-G is a tape sound emulation plug-in not based on tape speed or tape type (nor particular brand of tape machine). It takes the key components of analog tape recorders and gives the user tools to create a properly calibrated “custom tape machine” that operates in the range of 7.5 to 30 IPS, while conforming to NAB, IEC, and AES equalization standards. The plug-in is designed with ASIO/CPU footprint that allows use of many instances for cumulative effect.
Features:
- input gain +/- 24dB.
- output gain +/- 24dB.
- NAB, IEC (15 IPS), AES (30 IPS) EQ modes.
- adjustable recording EQ (LF +/- 10dB, HF +/- 14dB).
- adjustable reproduction EQ (LF +/- 10dB, HF +/- 14dB).
- adjustable “head bump” frequency from 65Hz to 105Hz.
- adjustable “head bump” gain from 1dB to 8dB.
- “head bump” bypass.
- tape hiss gain +/-30dB from ca. -76dBFS (RMS).
- tape hiss on/off switch.
- complete I/O VU metering.
- “Anarchy” button — to defy some norms;).
…and tape saturation, of course.
https://senderspike.wordpress.com/
SN01-G is a dynamic range compression VST plug-in, inspired by two classic VCA buss compressors of UK and US variety. It has switchable linked feed-forward/feedback topology, with highly variable knee, optional internal side-chain filtering, optional ‘push’ effect, and adjustable wet/dry ratio (alongside the mandatory controls for threshold, ratio, gain, and envelope). The plug-in is designed to work both as musically pleasing buss glue while also being an efficient channel insert with low ASIO/CPU footprint.
Features in detail:
- threshold from +20dB to -20dB.
- ratio from 1:1 to infinity (brick-wall).
- gain up to +24dB.
- attack in range from 0.03ms to 30ms.
- release in range from 50ms to 2 seconds.
- adjustable knee width 0-24dB (0dB = hard-knee).
- adjustable knee strength (0% = hard knee).
- 2 optional filters for internal side-chain.
- optional ‘push’ effect for more extreme compression.
- dry/wet control for parallel compression.
- switchable feed-forward/feedback topology.
- no saturation modelling.
Changelog:
1.10 – Added feedback topology.
1.02 – Fixed bug: MODE and PUSH didn’t reflect their values on re-opening.
1.01 – Fixed bug: GUI didn’t open on 64-bit platforms.
1.0 – Initial release.
https://senderspike.wordpress.com/
This plugin demonstrates basically how sigma delta converters work. It was mainly written for educational purpose, so it does not claim do deliver a good sound.
http://www.pcjv.de/
sideGATE is a lookahead flexigate with virtual sidechain input.
Features:
- 2 inputs, 2 outputs.
- Mono, stereo or dual mono operation.
- Mixable channels & sidechains.
- Sidechain filter with HP, LP, resonance & gain.
- Lookahead of up to 1000 ms.
- ‘Just in time’ link mode.
- Channel & sidechain link switches.
- Sidechain monitoring switches.
- Response invert switches.
- Output pan & mix controls.
Uses
Voice Production: Use sideGATE as a lookahead noise-gate when, for example, you have a presenter speaking against background noise. Normal gating would result in a bump in background noise as the presenter speaks and the gate opens but with sideGATE’s lookahead feature the background noise can be gently faded in before the presenter speaks creating a smoother, less objectionable, sound.
Music Production: When the sidechain is higher than the threshold the channel is audible, when lower it is gated – just the sort of functionality needed to gate a reverb according to the level of a snare drum, a synth according to a hi-hat, a bass according to a bass drum and so on.
sideGATE can also be used to alter the attack of a sound (e.g. soften a solo electric guitar making it feel more like a lap steel) and its panned outputs can be used to create a situation where the position of a sound in the stereo field is switched according to its volume.
http://dazdisley.co.uk/whiteLABEL/