Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Free Audio Plugins, VST, AU, AAX
5.1 plugin especially made for Zynewave’s Podium.
It chains a surround module similar to the SpatPod 5.1 plus a six channel multimode filter (separate control for the LFE), a five channel delay/pitch and a five channel reverb.
It can work in all software that support multi-channel connections (Nuendo, Cubase and modular).
http://acousmodules.free.fr/
Spatialization plug-in which is able to process two inputs to sixteen outputs inside a 3D space. Separate control for the left and right inputs with possibility to link left and right with various symmetry controllable in real time.
The sixteen loudspeakers can be freely positioned. Full automation inside hosts.
http://acousmodules.free.fr/
Spaceship Delay is a delay audio effect featuring classic modern and vintage sounding delays, with the following features:
- Three delay modes: single, ping pong and dual / stereo.
- Standard delay effects controls such as the delay time in ms and in time subdivisions, the feedback (up to 110 % !), a tap tempo button etc.
- A modulation section acting on the delay times and the filter cutoff frequencies.
- An attack control allowing the user to feed the delay line only when the input volume is higher than a given threshold.
- A spring reverb modeled from a famous tape machine (not that one, another one).
- An advanced filtering section including standard lowpass and highpass filters, shelf filters, and the simulation of two famous synthesizer filters (not these ones either, other ones).
- A specific “modeling” section giving access to different kind of delay line and saturation colourations, featuring a bitcrusher and a tube preamp simulation.
- A “Freeze” switch which can be used for some creative effect or to transform the effect into a looper with high delay values.
- Post effects such as extra filters, a tremolo and a vintage phaser
It can be used as a typical delay for mixing vocals, adding some depth to drums, guitars, synth sounds, but also as a more creative effect, thanks to the attack control, even as a looper thanks to the freeze switch and the very long maximum delay sizes.
Spaceship Delay includes finally a few presets and an embedded tutorial feature, available from the about tab (by clicking on the logo in the user interface) where you can learn how to use properly the plug-in, with live tutorials, and how to do some classic delay tricks like doubling vocals, slapback rockabilly guitars, ambient sounds etc.
Spaceship Delay is free and available on VST, AU and AAX formats (32/64-bits, Windows & Mac OS X).
https://musicalentropy.github.io
Space 360 is a straight-forward room simulator and reverb effect. Behind its no-nonsense interface is a complex implementation of three distinct, yet inter-dependent algorithms for the wavefront (Direct), early reflections (Reflect), and late reflections (Ambience). The effect uses “regressive modeling” to accurately synthesize the most important elements of the reverb sound, while using a more CPU-friendly, statistical approach to the less important elements. The result combines the realism of a convolution reverb with the efficiency and flexibility of an algorithmic reverb.
The Space 360 can be used to add spatial “context” to sampled and synthesized sources, to achieve perfectly accurate binaural panning of stereo tracks, to put multiple tracks into the same virtual “room,” or to just add that perfect amount of reverb to make the source sit perfectly in the mix.
The Space 360 will not give you those lush halls that decay forever. It will not give any crazy reverse reverbs or unnatural swells. There are plenty other effects that do that well. What the Space 360 offers is a go-to room simulator and reverb that models the minute details of a natural room remarkably well while not eating up all your CPU resources. You don’t need a masters degree in physics or a ruler and protractor to achieve perfectly scaled and filtered reflections. All you need to do is move the little speakers and head around and the effect calculates them internally.
Features:
- Regressive modeling integrates all sections of the effect in the most accurate and efficient manner.
- Perfectly scaled binaural wavefront synthesis.
- Early reflections are custom calculated on-demand for realistic spacial cues.
- Adjustable HRTF with scalable polar pickup pattern, focus, and lateral spread.
- Individually adjustable damping properties for each wall of the virtual room.
- Adjustable diffusion, smear (modulation), and lo-cut filter in the reverb tail.
- All DSP has been hand programmed in inline assembly to ensure the utmost efficiency.
- Works at any sample rate.
- Easy, intuitive GUI.
- ONE PAGE user guide.
https://www.kvraudio.com/developer/cytosonic
Use this reverb plugin to place your sounds in one of its 7 distinct spaces. It’s like having 7 reverb plugins in one.
Add character, lushness and colour to dull sounds or give extra brightness to vocals while widening the stereo image. Use the central knobs to control the space sound. With its extra modulation and filter controls on the back you can change even more the reverb tail and even switch off the pre-delays feedback (set internally).
With its sync features, you can achieve strange effects by setting the pre-delay to up to 2 bars.
Full automation, MIDI learn (right-click knobs), zero latency.
This is a 32-bit VST plugin and is not available individually. It is only included in the Facebook Pack and you must like the Ourafilmes Facebook page to be able to download it for free.
Check the video to see how it works.
{See video at top of page}
http://www.ourafilmes.com/
SoundScaper is capable of Reverb, Echo and Comb effects. It was designed primarily as way of creating atmospheric landscapes in the tradition of past HGSounds creations. It has almost infinite feedback time for many modes, and so is capable of producing rich and complex drones when used with a continuous sound source. It can also be used as a traditional reverb or echo suitable for any application.
SoundScaper has a diverse range of sonic possibilities using 300 datasets of comb/allpass timings, each providing a different effect model. Each of these modes can then be set to one of 33 different Multipliers (Styles) which take it through tight comb based effects, to reverbs and finally echo banks.
As with all HGS plug-ins, instant gratification is built in with a randomization system that will always result in a unique and usable patch, plus randomizers for each individual section. The plugin was initially based on Freeverb, though has been expanded and highly optimized using SSE making it a lightweight plugin with a small CPU footprint.
Features:
- 300 different Timing Models.
- Number of Combs switchable between 1 and 8.
- Number of All-passes switchable between 0 and 4.
- 33 Styles which multiply the selected Mode Timings by increasing amounts.
- Size – Sets the feedback level of the Effect.
- Width – Sets the Stereo Spread of the Effect.
- Damp – Sets how much the signal is damped.
- MIx – Sets level between Dry and Wet.
- Master Volume – Sets the Master Output Level.
- Randomizers – A master Randomize for complete Randomization as well as local randomizers.
- Default – Instantly sets the patch to its default parameters.
- Freeze – Will Freeze the output when clicked, Dry signals pass through.
http://www.hgsounds.com/
SoundField SurroundZone2 unlocks the information captured from any of the SoundField microphone systems and gives control over a wide range of microphone parameters from a single intuitive user interface.
SurroundZone2 is available free of charge to give anyone the freedom to manipulate SoundField B-Format and A-Format files.
The plug-in rolls all the functionality of the original “Surround Zone” and “SPS200 Surround Zone” plug-ins into one. At the same time adding some exciting new controls such as “Snap Tilt” and “individual polar pattern control” for the surround modes.
The main focus throughout the development of this plug-in was ease of use across the most popular of all Digital Audio Workstations, both from a usage and a set-up perspective.
Supported Output Formats:
- Stereo (Mono).
- 5.0, 5.1, 6.0, 6.1, 7.0, 7.1.
- B-Format.
Available Controls:
- Input and Output trims.
- Hi-Pass Input filter.
- Mic Orientation: End-Fire and Invert.
- Solo and Mutes for the Individual outputs.
- Rotate, Snap Tilt (individual front and rear tilt) and Zoom.
- Individual Width Controls.
- Individual Polar Pattern Controls.
http://www.tslproducts.com/
Soul Force! is basically a waveshaper, but the shape control can be modulated using the feedback control and source switch, which makes things a lot more interesting.
Source code is available.
http://www.niallmoody.com/ndcplugs
Sonus Modular is a collection of modules for VCV Rack, an open source Eurorack modular synth emulator. It currently features the following modules:
- Bitter: bit manipulator.
- Bymidside: MS (mid-side) encoder.
- Campione: live sampler.
- Chainsaw: fat sawish oscillator.
- Ctrl: customizable knob controller.
- Deathcrush: distorsion and bitcrusher.
- Harmony: chord generator.
- Luppolo: simple looper.
- Luppolo3: three track loop station.
- Multimulti: a simple but handy double 2-in 8-out multiples.
- Oktagon: quad-quad sine LFO/oscillator.
- Osculum: a VCO capable of harmonic but unusual sounds.
- Paramath: signals comparing and math utils.
- Piconoise: an ultra compact white noise generator with 8 outputs.
- Pusher: four button controller.
- Ringo: ring modulator.
- Scramblase: triple quadruple waveshaper.
- Twoff: double CV static offset.
- Yabp: blank panel.
http://www.sonusdept.com
Sonix is a “single-stream quasi-synchronous granulator” which also features an analog filter to further manipulate the sound with a smooth low-pass, phat-pass (with some big bottom end) and high-pass formant hybrid settings.
Sonix buffers input audio and releases it in discrete grains of a specified duration, at a specified rate. Random variation can also be applied to the grain length and grain rate, and the grains amplitude can be shaped with six different envelopes.
Features:
- Random grain variation.
- Grain pitch control.
- Auto pitch variation.
- Hybrid analog filter.
- Panning on both channels, only on stereo audio track.
- Grain shaping envelopes.
- Wet & dry signal control.
- Full automation.
- Traditional VU meter.
- MIDI learn functionality on all controls.
- Optional host sync for grain rate.
- Granulators can be triggered in stereo mode or separately.
- Both granulator channels can be operated independently.
http://www.jcproductionz.com/
