Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Free Audio Plugins, VST, AU, AAX
bassPath provides the most popular effects processing path for bass guitar or synth bass. It includes distortion/overdrive, limiter, speaker cabinet emulator, Three band variable EQ, Chorus, and Delay. Custom user settings are supported, along with four factory settings.
http://loudsoftware.com/
Basslane is used to narrow the stereo width of low frequencies in tracks and mixes. It’s a simple, yet handy utility that allows you to regain bass tightness and prevent “muddy” mixes caused by a too wide low end.
Basslane is also very useful when mastering and especially when mastering for vinyl records. It allows you to transparently prevent problematic stereo content in the low frequencies. The easy-to-use interface features a range of monitoring options allowing precise fine tuning while auditioning the processing at different stages.
Key Features:
- Easy to use.
- Transparent stereo sound with classic pan response.
- 6/12 dB/oct filter switch for variable filter steepness.
- Width sweepable from full stereo to full mono.
- Useful auditioning modes.
http://www.toneprojects.com/
basiQ is an acronym for Baxandall Simulation Equalizer, a free 3-band equalizer plug-in with photorealistic graphics from Kuassa, Inc.
As the name implies, the engine is modeled after a design of classic baxandall equalizer well known for its smooth shelves and natural-sounding responses, similar to the tone control on a hi-fi systems. The simple controls allow you to shape the frequency from many sources to your needs, from opening up an air on guitar leads, adding a gentle shimmer on vocals, giving extra oomph on your synth basslines, or even getting more presence from your masters.
It’s well-suited for mixing or mastering purpose although the neutral characteristic of basiQ are more suitable as a sweetening device or giving some transparent tilt to your mix rather than a surgical device.
Features:
- FREE.
- Simple tone control with large Low, Mid, and High knobs.
- Preset Management with 12 preset slot within a single bank.
- Mono and Stereo applicable.
- Supports up to 96 kHz Sample Rate.
- Compact and straightforward user interface.
http://www.kuassa.com/
Bark of Dog is a bass resonance filter that lets you increase your low end without turning up the flab. I like to think of it as a way to boost the low end while still keeping it under control. While the controls are super simple, the effect that this has on controlling the low end in a mix is pretty exciting.
Is this just a resonant high pass filter?
Yes, it is.
Why create a dedicated plugin for a tool we all already have?
Great question. Truthfully, what you get here can be accomplished with pretty much any digital EQ plugin. The reason why I made a dedicated plugin for this is because even though I had the capability to put a resonant high pass filter on my tracks for the past 15 years using my stock EQ, the thought never occurred to me to try it. I read reviews on a certain plugin that claimed to enhance the low end with a resonant high pass filter, and everybody who tried it seemed to love it. Rather than spending loads of money on a big dongle and then more money on a plugin, I decided just to make my own.
Even though it is super simple, I think it lived up to it’s hype. I love this tool. It solved all my low end problems. Because this is a feature we all already have, I didn’t feel right about charging money for it. There are enough good new ideas to do that I don’t want to fall into the trap of repackaging old tricks. Think of this as more of a really helpful tip with a plugin to go along with it. If you don’t want to download this plugin, then at least open up your stock EQ and play with the resonance on your high pass filter. It made my life a lot easier, and I think it can make yours easier too.
http://www.bozdigitallabs.com
Barffet Sound Re-Genarator is an a effect that uses some vomit, buffers, comb filters, bit crushers, reverb and random chaos to make a mess of new glitch sounds.
https://astaticdsp.blogspot.com
Barberpole Flanger offers a simple “Barberpole flanger” implementation. Barberpole flanging is also known as “infinite flanging”, this sonic illusion is similar to the Shepard tone effect. The sweep of the flanged sound seems to move in only one direction (“up” or “down”) infinitely, instead of sweeping back-and-forth.
Features:
- 4 different algorithms.
- Up to 8 stages for smooth and blurry flanging.
- Independent control of depth and modulation speed.
- Manual included.
- Open Source.
http://www.pcjv.de/
Multi-band (3 band) distortion. Creates the sound of torn bass bins and other subtle effects.
http://www.mda-vst.com/
baddASS is a bass drum fortification device.
Features:
- 1 input, 1 output:
- Beef-up your kick with 20 to 200 Hz sin waves.
- Bend and twist – add punch and guts.
- Designed for added oooomph.
- 1 Oscillator.
- Overdrive with controls for drive and threshold.
- Bit crusher.
- 2 Clippers.
- 2 parametric EQ bands.
- Adjustable attack [click].
- Separate controls for ‘badd’ & ‘ass’ levels.
- Dry/wet mix control.
- Additional input and output gates.
- Post mix cut/boost control.
- 16 presets.
- Envelope controls:
- Volume.
- Pitch.
- Bit depth.
Uses
Music Production: baddASS is ideal for sorting out weak bass drums. It can be used to gate the incoming bass drum and therefore reduce spillage, but that’s just the start. From storming bottom end to evil cutting distortion, baddASS’s drive, crush and EQ sections give you plenty of scope for re-shaping your kick. Add click for more attack, and reinforce sub-bass content with pure waves, Parameters for badd, ass, and mix allow full control over the original bass drum, low-end reinforcement, and distorted nastiness – without using any compression.
http://dazdisley.co.uk/whiteLABEL/
Bad Cable is an AudioUnit which attempts to simulate a bad audio cable. The result is a form of waveform distortion. With some settings, the effect sounds like FM radio when you’re at the edge of reception (check out preset #2 “FM Edge”).
http://sounds.wa.com/
BackMan reverses incoming audio signal in sync (it will follow host BPM).
BackMan reconstructs the backwards signal to the strong and weak beats (ie: snare, kick) hit on the right places.
– Useful on all sort of things, from build ups to drum fills.
– Useful on guitars, works as a reverse delay.
https://www.kvraudio.com/developer/klanglabs