Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
StereoCompressor/MonauralCompressor features threshold, ratio, attack, release, knee and output controls.http://www.geocities.jp/webmaster_of_sss/vst/
SplitGate is a 16 step rhythmic gate that splits the signal into two channels – left/right – which can be gated separately.
http://www.sanusart.com/
Spitfish is a dead-easy to use de-esser, aimed mainly at mono or stereo vocal tracks. Just like classic analog de-essers, this unit dynamically filters out harsh, annoying s-like sounds that would otherwise ‘spit’ in your face.
http://www.digitalfishphones.com/
Features:
- High Precision LFO for Volume.
- 6 Types Waveform (±SAW ±TRI ±SQU).
- 1Bar~127Beat LFO Rate (Synchronize with BPM).
- LFO Phase is retriggered when change from Rate0 (also Host Transport Start).
- Click Noise Reduction.
- Support Automation.
- UI for Touch Device.
{See video at top of page}
https://sites.google.com/site/sonicemblemstudio
Snap Heap is a routable multi effect which allows for both serial and parallel processing. Effects are added in a modular fashion where you can use all of Kilohearts other effects in any combination you want.
Snap Heap offers a very flexible modulation interface with macros, LFOs, Envelopes and MIDI control support.
{See video at top of page}
Bundled with Snap Heap are 5 basic effects that all work as stand-alone plugins as well:
http://kilohearts.com/
SKWOSH is a versatile multi-function stereo compressor featuring:
- Envelope: peak / RMS 1 / RMS 2 …
- Operation: hard knee / soft knee / hard boost / soft boost.
- Sidechain: internal or external (2 stereo inputs).
- Key filter: LP / BP / HP: 6/12/18/24 dB/oct – 80hz to 8kHz.
- Lookahead: 1, 2, 5, 10, 20, 40ms with additional match / half / double modes.
- Character: clean / static drive / dynamic drive – with controls for filth level and drive factor.
- Output limiter: on / off.
- Chain audition: on / off.
- Input / output flip: 1&2 / 3&4.
- Output wet / dry mix control.
http://dazdisley.co.uk/whiteLABEL/
sixtyfive is a vintage-style, RMS Compressor, inspired by the dbx 165A, a classic 1970s compressor found in many studios, but it also adds a couple of new twists.
It’s a soft-knee RMS compressor with a vintage flavour. The RMS detection and soft-knee help to give a smooth and musical compression experience, the non-linear response imparts character and the gentle saturation brings colour and warmth. As well as all of the originals features, this version adds parallel compression, extended knob ranges and peak metering.
sixtyfive can deliver a range of compression from gentle smoothing of vocal performances to brutal slamming of your drum buss.
Features:
- Vintage style RMS compressors with non-linear response, parallel compression and comprehensive metering.
- Subtle colouring from a unique blend of harmonics, saturation and noise.
- RMS detection offers natural response.
- Soft Knee makes for a less obvious transition.
- Wet/Dry control allows blending of dry uncompressed signal for phase-free NY style parallel compression.
- Non-linear attack/release curves give unique character.
- Auto attack/release with manual option.
- Manual attack/release has ultra-low values.
- Distortion reduction for very short release times.
- Linked Stereo input detection, can be unlinked.
- Internal or external sidechain routing.
- Additional ‘Internal sidechain only’ version.
- Optional hard limiting on final output.
- Metering covers stereo input, output and gain reduction. All meters show actual and peak levels with adjustable peak hold time.
- LED display to indicate above and below threshold, and in the knee.
- Non-linear knobs for precise control at small values.
- 18 presets covering different configurations.
https://delamanchavst.wordpress.com
SimpleSqueeze is a one-knob-compressor. The knob simultaneously controls threshold and gain, so that the more you crank it, the more squashed your signal gets.
http://www.betabugsaudio.com/
SN05-G, as its full name implies, is a brickwall (sample peak) limiter, best suited for the very end of the signal chain, but can easily handle also individual tracks.
Features:
- 3 stages: limiter, soft clipper, hard clipper.
- input gain 0-24 dB.
- ceiling from 0 dBFS to -24 dBFS.
- limiter attack time from 0.02 ms to 250 ms.
- limiter release time from 10 ms to 1300 ms.
- hard clipper release time from 1 ms to 500 ms (limiter on) or 0.1 ms to 50 ms (limiter off).
- fixed hard clipper attack time.
- optional soft clipping stage adjustable from 0% to 100% (0% = off).
- optional HPF for limiter’s side-chain with cutoff frequency ranging from 15 Hz to 2 kHz.
- limiter bypass (signal passes only through the clippers).
- Dual GR meter (limit/clip).
https://senderspike.wordpress.com/
SN01-G is a dynamic range compression VST plug-in, inspired by two classic VCA buss compressors of UK and US variety. It has switchable linked feed-forward/feedback topology, with highly variable knee, optional internal side-chain filtering, optional ‘push’ effect, and adjustable wet/dry ratio (alongside the mandatory controls for threshold, ratio, gain, and envelope). The plug-in is designed to work both as musically pleasing buss glue while also being an efficient channel insert with low ASIO/CPU footprint.
Features in detail:
- threshold from +20dB to -20dB.
- ratio from 1:1 to infinity (brick-wall).
- gain up to +24dB.
- attack in range from 0.03ms to 30ms.
- release in range from 50ms to 2 seconds.
- adjustable knee width 0-24dB (0dB = hard-knee).
- adjustable knee strength (0% = hard knee).
- 2 optional filters for internal side-chain.
- optional ‘push’ effect for more extreme compression.
- dry/wet control for parallel compression.
- switchable feed-forward/feedback topology.
- no saturation modelling.
Changelog:
1.10 – Added feedback topology.
1.02 – Fixed bug: MODE and PUSH didn’t reflect their values on re-opening.
1.01 – Fixed bug: GUI didn’t open on 64-bit platforms.
1.0 – Initial release.
https://senderspike.wordpress.com/