CetoneLight

CetoneLight free software-synthesizer by Neotec

CetoneLight is a free software synthesizer developed by Neotec. Available format(s): VST for Windows.

CetoneLight is the light version of CetoneSynth. Its code is based on some code examples from musicdsp.org.

Specifications:

  • 3 Oscillators with Saw, Pulse, Triangle and C64 type noise waveforms. Sync is currently disabled.
  • 2 AHDSR Envelopes with durations from nearly zero up to ten seconds.
  • 7 different resonant filter types.
  • 4 modulation slots.
  • LFO with speeds between nearly zero and 50Hz.
  • C64 fast arpeggiator.

http://neotec.argle.de/cetone/

Cetone033

Cetone033 free software-synthesizer by Neotec

Cetone033 is a free software synthesizer developed by Neotec. Available format(s): VST for Windows.

Cetone033 is a simple bassline synthesizer. Its code is based on some code examples from musicdsp.org.

Specifications:

  • 2 Oscillators with Saw, Pulse and Triangle waveforms. Morph parameter controls either pulsewidth or Triangle-to-Saw morph value.
  • 2 Envelopes with attack and decay times from nearly zero up to one second.
  • Resonant Butterworth 24db filter.

http://neotec.argle.de/cetone/

cesSynth3

cesSynth3 free software-synthesizer by LoftSoft

cesSynth3 is a free software synthesizer developed by LoftSoft. Available format(s): VST for Windows.

cesSynth3 is a Wavetable Synth.

http://www.loftsoft.co.uk/

CBW01

CBW01 free drum-machine by Saltline

CBW01 is a free drum machine VST plugin developed by Saltline. Compatible OS(s): Windows.

The CBW01 drum machine was created for music-society.net.

Registration is required at music-society.net in order to download this VST instrument. (registration is free). Registration problems and queries should be sent directly to [email protected]

CBW01 features 4 drum hit editors and 1 effects section. Each editor and the effect section has independent MIDI controls including, MIDI Channel, MIDI note Hi and Lo (key range) and 16 modulation slots (sources, pitch wheel, mod wheel, velocity and key follow). This allows for greater dynamics whilst playing. See the feature list below
for each drum hit’s modulation destination possibilities.

The kick editor also has a space for writing patch information, hit channel, key range, etc. This helps when sharing presets or when your patches are getting a little complex you can make notes.

https://soundcloud.com/saltline/jezdnie

https://soundcloud.com/saltline/cbw01-demo

  • Kick editor:
    • Low:
      • 2 Waveforms (sine and triangle).
      • Pitch -12 to +12 semitones (Root pitch A).
      • Pitch envelope curve response, decay, amount.
      • Vol envelope curve response, decay, release, amount.
    • Mid:
      • 2 Waveforms (sine and triangle).
      • Pitch -12 to +12 semitones (Root pitch A).
      • Pitch envelope curve response, decay, amount and link to low envelope.
      • Vol envelope curve response, decay, release, amount.
    • Air:
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, attack, decay, release, amount.
    • Ouput stage:
      • SV filter (lp, hp, bp, br) cutoff and resonance.
      • Kick volume.
    • Effect send amount:
      • SV filter (lp, hp, bp, br) cutoff and resonance.
      • Send amount.
    • Mod destinations (22):
      • Kick pitch (global).
      • Low pitch.
      • Low pitch decay.
      • Low pitch amount.
      • Low volume decay.
      • Low volume amount.
      • Mid pitch.
      • Mid pitch decay.
      • Mid pitch amount.
      • Mid volume decay.
      • Mid volume amount.
      • Air cutoff.
      • Air resonance.
      • Air volume attack.
      • Air volume decay.
      • Air volume amount.
      • Out filter cutoff.
      • Out filter resonance.
      • Effect filter cutoff.
      • Effect filter resonance.
      • Effect send amount.
      • Kick volume.
  • Snare editor:
    • Wave 1:
      • 4 waveforms (sine, triangle, saw, pulse).
      • Pitch -12 to +12 semitones (Root pitch A).
      • Pitch envelope curve response, decay, amount.
      • Vol envelope curve response, decay, release, amount.
    • Wave 2:
      • 4 waveforms (sine, triangle, saw, pulse).
      • Pitch -12 to +12 semitones (Root pitch A).
      • Pitch envelope curve response, decay, amount and link to low envelope.
      • Vol envelope curve response, decay, release, amount.
    • Noise 1:
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, attack, decay, release, amount.
    • Noise 2
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, attack, decay, release, amount.
    • Output stage:
      • SV filter (lp, hp, bp, br) cutoff and resonance.
      • Snare volume.
      • Pan.
    • Effect send amount:
      • SV filter (lp, hp, bp, br) cutoff and resonance.
      • Send amount.
    • Mod destinations (28):
      • Snare pitch (global).
      • W1 pitch.
      • W1 pitch decay.
      • W1 pitch amount.
      • W1 volume decay.
      • W1 volume amount.
      • W2 pitch.
      • W2 pitch decay.
      • W2 pitch amount.
      • W2 volume decay.
      • W2 volume amount.
      • N1 cutoff.
      • N1 resonance.
      • N1 volume attack.
      • N1 volume decay.
      • N1 volume amount.
      • N2 cutoff.
      • N2 resonance.
      • N2 volume attack.
      • N2 volume decay.
      • N2 volume amount.
      • Out filter cutoff.
      • Out filter resonance.
      • Effect filter cutoff.
      • Effect filter resonance.
      • Effect send amount.
      • Snare volume.
      • Snare pan.
  • Clap editor:
    • Wave 1:
      • 4 waveforms (sine, triangle, saw, pulse).
      • Wave Mod, Speed, shape, pitch.
      • Vol envelope curve response, decay, amount.
      • High pass/band pass filter, cutoff and resonance.
      • Signal delay.
      • Pan.
    • Wave 2:
      • 4 waveforms (sine, triangle, saw, pulse).
      • Wave Mod, Speed, shape, pitch.
      • Vol envelope curve response, decay, amount.
      • High pass/band pass filter, cutoff and resonance.
      • Signal delay.
      • Pan.
    • Noise 1:
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, decay, release, amount.
    • Noise 2:
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, decay, release, amount.
    • Ouput stage:
      • Clap volume.
    • Effect send amount:
      • Send amount.
    • Mod destinations(26):
      • W1 Mod speed.
      • W1 Mod shape.
      • W1 Mod pitch.
      • W1 volume decay.
      • W1 volume amount.
      • W1 cutoff.
      • W1 resonance.
      • W1 pan.
      • W2 Mod speed.
      • W2 Mod shape.
      • W2 Mod pitch.
      • W2 volume decay.
      • W2 volume amount.
      • W1 cutoff.
      • W1 resonance.
      • W1 pan.
      • N1 cutoff.
      • N1 resonance.
      • N1 volume decay.
      • N1 volume amount.
      • N1 pan.
      • N2 cutoff.
      • N2 resonance.
      • N2 volume decay.
      • N2 volume amount.
      • N2 pan.
      • Effect send amount.
      • Clap volume.
  • Hats editor:
    • Wave 1:
      • 2 Waveforms (sine and triangle).
      • Pitch -12 to +12 semitones (Root pitch A).
      • Pitch envelope decay, amount.
      • FM depth, pitch, amount.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, decay, amount.
    • Wave 2:
      • 2 Waveforms (sine and triangle).
      • Pitch -12 to +12 semitones (Root pitch A).
      • Pitch envelope decay, amount.
      • FM depth, pitch, amount.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, decay, amount.
    • Noise 1:
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, decay, release, amount.
    • Noise 2:
      • Noise generator.
      • High pass/band pass filter, cutoff and resonance.
      • Vol envelope curve response, decay, release, amount.
    • Output stage:
      • Hats volume.
      • Hats pan.
    • Effect send amount:
      • Send amount.
    • Mod destinations (31):
      • W1 pitch.
      • W1 pitch decay.
      • W1 pitch amount.
      • W1 FM depth.
      • W1 FM pitch.
      • W1 FM amount.
      • W1 cutoff.
      • W1 resonance.
      • W1 volume decay.
      • W1 volume amount.
      • W2 pitch.
      • W2 pitch decay.
      • W2 pitch amount.
      • W2 FM depth.
      • W2 FM pitc.
      • W2 FM amount.
      • W2 cutoff.
      • W2 resonance.
      • W2 volume decay.
      • W2 volume amount.
      • N1 cutoff.
      • N1 resonance.
      • N1 volume decay.
      • N1 volume amount.
      • N2 cutoff.
      • N2 resonance.
      • N2 volume decay.
      • N2 volume amount.
      • Effect send amount.
      • Hats volume.
      • Hats pan.
  • Effects section:
    • Delay:
      • Rate (sync to host).
      • Feedback.
      • SV filter (lp, hp, bp, br) cutoff and resonance.
      • Mix.
    • Reverb:
      • Size.
      • Width.
      • Damp.
      • SV filter (lp, hp, bp, br) cutoff and resonance.
      • Mix.
    • Mod destinations (11):
      • Delay rate.
      • Delay feedback.
      • Delay cutoff.
      • Delay resonance.
      • Delay mix.
      • Reverb size.
      • Reverb width.
      • Reverb damp.
      • Reverb cutoff.
      • Reverb resonance.
      • Reverb mix.
  • Other:
    • Master Volume.
Made with SynthEdit

http://www.decadebridge.com/

Catalyst

Catalyst free software-synthesizer by Broken Gadget

Catalyst is a free software synthesizer developed by Broken Gadget. Available format(s): VST for Windows.

Catalyst produces hybrid waveforms by taking two oscillators, applying half wave rectification then sticking the results together to form some unusual waveshapes. The focus of the synth is producing some interesting, dynamic waveforms. The concepts may not be that familiar, however the synth has been designed so that each control does something meaningful and useful. There is an in depth manual on the developer’s site explaining what’s going on ‘under the hood’ and 64 presets to get you started.

The synth has been featured in Computer Music Magazine: “Different is good and Catalyst is nothing if not different.”.

Update, June 2013: The calibration of the control linking the envelope to the filter cutoff has been modified to yield a deeper envelope to cutoff modulation.

The short sound demo is created entirely with Catalyst. No external effects used, just a little mix compression.

KVRDC12

Made with SynthMaker

http://www.brokengadget.org

Buzzkill

Buzzkill free software-synthesizer by Chironex Audio Works

Buzzkill is a free software synthesizer developed by Chironex Audio Works. Available format(s): VST for Windows.

Buzzkill is a lightweight but “grungy and beastly” synth, aimed at making bassline-type sounds. With its “energy modulation” system, it is able to create the sounds you need for almost any electronic-type music.

Features:

  • “Energy Modulation” system.
  • SVF + Moog Filters.
  • Overdrive.
  • Stereo Widening (Phatness).
  • Advanced Syncing Trancegate.
Made with SynthMaker

http://chironex.gigacities.net/

Bubllsy

Bubllsy free software-synthesizer by Spacedad

Bubllsy is a free software synthesizer developed by Spacedad. Available format(s): VST for Windows.

A crazy harsh sounding Synth made by Jacky Lee with only a little help from me.

Made with SynthEdit

http://www.spaceraiders.co.uk/spacedad.html

Brutal 2 VST

Brutal 2 VST free software-synthesizer by Infected-Sounds

Brutal 2 VST is a free software synthesizer developed by Infected-Sounds. Available format(s): VST for Windows.

http://bryntebengal.wixsite.com/infected-sounds

Brush Strokes

Brush Strokes free software-synthesizer by ndc Plugs

Brush Strokes is a free software synthesizer developed by ndc Plugs. Available format(s): VST for Windows.

Brush Strokes is an audio-visual instrument with a drawing-based interface. Sound is generated in a manner similar to scanned synthesis, with two oscillators whose waveforms are obtained by scanning the x- and y-axis positions of the trail drawn by the user. The larger the gesture, the louder the sound, and vice-versa, when the mouse is not moving, no sound is generated.

Sending MIDI notes to it will change the pitch of the audio. If you click a mouse button, you will freeze the motion of the brush, and thus the waveforms for the two oscillators will also freeze. The position of the brush, and whether it’s frozen, are both automatable parameters. As the only way to get sound out of the instrument is to move the brush, you won’t be able to record or sequence it in quite the same way you would other VST instruments. Instead of straightforward MIDI data, you’ll need to record your mouse movements as automation.

http://www.niallmoody.com/ndcplugs

BREVERB 2 Mix Pack

BREVERB 2 Mix Pack free softsynth-preset by Overloud

BREVERB 2 Mix Pack is a free software synthesizer preset pack for Breverb2, made by Overloud.

BREVERB 2 Mix Pack is a BREVERB 2 free expansion kit containing 92 top quality presets covering a wide range of mixing situations.

Top notch sound engineer Sabino Cannone (MoReVoX) have collected these very useful presets from several real life applications into 6 preset banks of BREVERB 2.

http://www.overloud.com/