Delay is a free delay and echo VST plugin developed by mda. Compatible OS(s): Windows, macOS.
Simple stereo delay with feedback tone control.
http://www.mda-vst.com/

Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Free audio plugins & software for mixing.
Simple stereo delay with feedback tone control.
http://www.mda-vst.com/
Deep Crunch is the official emulation of the analog boutique guitar pedal manufactured by Heptode. Inspired by the Soldano SLO-100 amp crunch channel, Virtual Deep Crunch produces very realistic tubish crunchy sounds.
Features:
- Gain and Level Controls.
- Bass/Middle/Treble EQ Controls.
- Cabinet simulation.
http://www.heptode.com/
- Six delay lines with multimode filter and panning per delay.
- Synced or manual delay time controls, delay time up to 80 seconds.
- Buttons to deactivate the delay, mute the input or choose L or R as input.
- Delay routing.
- Internal limiters on every delay to be able to create distorted feedbacks without blowing up your speakers.
- PANIC button to lower all feedbacks at once.
- Input button: Turns input On/Off.
- Hints on all controls that makes the plug pretty self explanatory.
- MIDI automation and MIDI learn.
https://www.kvraudio.com/developer/klanglabs
DeeGain Channel tool / VST & AU plug-in.
DeeGain is a simple plugin which controls the volume from -20db to +20db.
Insert DeeGain between the other effect plugins, then it will work like the gain/trim control of a mixer console.https://dotec-audio.com/
mda De-ess is a high frequency dynamics processor.
http://www.mda-vst.com/
DC1A is the little brother of Klanghelm’s upcoming compression monster DC8C. I’ve taken one of my favorite settings from DC8C and tried to make it work in a two control context. Soundwise it’s comparable to the PUNCH mode in DC8C.
I’ve always wanted to do a compressor with just an input and output knob, a compressor that just works: gentle, grateful, from almost invisible, smooth leveling to heavy pumping with a nice crunchy saturation and punchy enough to treat drums with.
DC1A looks like a one trick pony. But don’t get fooled by lack of further controls. You may be surprised, on how many different material this little thing works. DC1A is heavily program dependent.
http://www.klanghelm.com/
D2 is an all-rounder compressor with an easy to use interface. It demonstrates the compressor algorithms of its big brothers, bathtub and sidearm while keeping the interface simple for quickly dialing in some common settings. D2 can be heavy or subtle, razor quick or gentle, clean or dirty and is happy as an insert or buss compressor.
Features:
- Stereo compressor with gain reduction meter.
- True stereo – each channel is compressed independently.
- Threshold down to -40dB.
- Ratio 1.5:1 to infinity.
- Attack from 0-30 ms.
- Release from 5ms to 2.4s.
- Make-up gain to 20dB.
- VU meter shows actual and peak levels of gain reduction.
- Dirt option gives added distortion and enhancement.
- All control parameters named and mapped to MIDI CC.
https://delamanchavst.wordpress.com
CrunchDude is a simple guitar amplifier emulation. As the name implies, its strength lies not only in clean or over-the-top lead sounds, but especially in the crunch sounds it can produce.
Features:
- The Input section. No distortion takes place here yet, only amplification and equalization plus a Low Cut control (which determines the cut-off frequency of the 6 dB/octave filter).
- Two Pre-amp sections. These are switched in series, and are completely equivalent. You can switch them on and off. They have a 3-band equalizer with adjustable cut-off frequencies, and a Drive dial that determines the gain and the resulting distortion. The equalizer is “passive”, which means that when Low, Mid, and High are in maximum position, no alteration of the sound takes place (flat frequency response, 0 dB gain).
- The Output Stage section. Again, you have the same type of 3-band equalizer at your disposal, an Output level dial, and an extra Low Cut.
- The Cabinets section. There are two almost identical sections in parallel here, which you can balance with the Mix dial. You can switch this section off. The sound of both sections is determined by their Prox (proximity) and Fdb (feedback) dials.
http://www.heebcomponents.net/CrunchDude/
Crayon Filter is a multi-band filter plug-in. You can engage up to five filter types at once (one of each type).
- Low Pass attenuates high frequencies, giving your sound a “dull” feel.
- Band Pass attenuates both above and below the cutoff frequency, for a “thin” or “nasal” sound.
- High Pass removes low frequency signals.
- Notch removes just a small band of frequencies from the signal.
- Peak boosts a small band of frequencies in your audio.
http://www.betabugsaudio.com/
Coyote Wah is a VST plugin that implements high-quality sweeping resonant-filter (wah-wah) effects. Advanced audio processing algorithms produce a very clean output, free of artifacts.
Some of the unique features of the Coyote Wah are:
- Emulation of 4 popular wah-wah pedals.
- Supports presets and automation.
- VU meter.
- Controllable by an external Midi controller (e.g. pedal).
http://www.coyotes.bc.ca/