Sound Rider

Sound Rider free spectrum-analyzer by Polygon Audio

Sound Rider is a free spectrum analyzer VST plugin developed by Polygon Audio. Compatible OS(s): Windows.

Sound Rider is a 3D visualizer that gives you the ability to navigate a 3D representation of a sound signal in your DAW. As well as the traditional horizontal frequency scale and vertical decibel scale the 3D aspect provides a time axis into the screen.

Sound Rider was written for entry into the KVR Developer Challenge 2012.

Sound Rider Main Features:

  • High resolution 3D Visualizer.
  • Navigation of the waveform with control of position and orientation in 3D.
  • Written from scratch in C++ for 64 bit and 32 bit windows.
  • User views can be stored.
  • Averaging and peak display.
  • User peak values can be stored.
  • Position and orientation can be automated.
  • Includes a 2D view with statistical output.
  • 3 Rendering modes: Solid, Wireframe and Points.
  • Axis that can be moved in the Z plane for clear measurements.
  • Peak and RMS meter.
  • Settings can be altered to change key controls, smoothing, frame rate, ballistics etc.
  • Interpolation – the faster your machine the smoother the ride.

{See video at top of page}

KVRDC12

http://www.polygonaudio.com/

Sound Recovery

Sound Recovery free audio-restoration by Bitsonic

Sound Recovery is a free audio restoration Stand Alone, VST plugin developed by Bitsonic. Compatible OS(s): Windows, macOS.

The objective of Sound Recovery is to repair hard to understand and low quality soundtracks to a decent level. The software helps in cases when the mid-high frequency is completely missing. This can be audio recorded through a wall, or a conversation from the microphone’s dead space. In these cases simply using EQ can’t help. The software fixes the mid frequency by creating harmonics from the low frequency sign using distortion overdrive. The created harmonics help a lot to make the sounds more understandable. This function is most useful to forensic expert and audio restaurators.

The other function of the software is Multiband Denoiser, that erases the unwanted noise from (low-mid) and (mid-high) frequencies. This function has a more broad use. It for situations when using Equalizer negatively affects the noisy audio overall.

Functions:

  • Input Volume: Simple volume control, the maximum value uses the original value of the amplitude.
  • Split Freq: Selects the frequency range where the user would like to have the biggest difference during the change of the audio.
  • Recovery: Connected to Split Freq, this function works in the frequency range set in Split Freq. Recovery sends the sign into overdrive. Use only when significant repair is necessary, or when only higher frequency ranges need to be strengthened. (See: Low quality MP3, with no high frequency range.).
  • Enhancer: This function is similar to Recovery’s mechanism, but the user can set a narrow frequency range, to get more harmonics from. The other difference is that overdrive is made by a more specific algorithm.
  • Low pass: This simple low pass filter can be used when the high frequency noise is deemed too much.
  • Denoiser Low/High: Filters the noise from the low/high frequency range set by Split Freq.

Denoiser Low needs specific settings to function properly. For example, when the user would like to handle the low frequency range while Recovery is at maximum and Split Freq modifies too high of a range.

If the software is used only for noise filtering don’t use Recovery and Enhancer. The blue led knobs can be used to turn these functions on and off.

Using the Standalone version the user can load audio using the Load WAV function. For playing, looping, and audio exporting 3 function knobs can be used. The part of the audio to loop is shown by the bottom graphic display, marked by two vertical markerlines.

After the editing is done, the preset can be saved used the File knob.

The VST version works only with 32-bit DAW software, but with Bridges it can be used on a 64-bit system as well. Standalone can be used on 64-bit systems too, and with the help of Wine works on OS X systems as well.

3 WAV files are included as well, to show the way the 3 presets work.

{See video at top of page}

http://www.bitsonic.eu/

Soul Force!

Soul Force! free overdrive | saturation by ndc Plugs

Soul Force! is a free overdrive and saturation VST plugin developed by ndc Plugs. Compatible OS(s): Windows, macOS.

Soul Force! is basically a waveshaper, but the shape control can be modulated using the feedback control and source switch, which makes things a lot more interesting.

Source code is available.

http://www.niallmoody.com/ndcplugs

Sonogram SG-1

Sonogram SG-1 free sonogram by ag-works

Sonogram SG-1 is a free sonogram VST plugin developed by ag-works. Compatible OS(s): Windows.

Sonogram SG-1is a real-time sonogram allowing for fast and detailed spectral analysis.

Sonogram SG-1 Features:

  • Six scientific color palettes, each of them can highlight different dynamic ranges, from high power kick drum beats, to little spikes coming out from the noise floor.
  • Snapshots-per-second control that can be changed on the fly, to increase or decrease the time resolution.
  • At any time you can change the zoom ratio, without loosing frequency details for the signals which have already passed by.
  • The zoomed screen can be scrolled while analyzing, to easily locate the frequency range of interest.
  • Pause the visualization with the “freeze” control.
  • Both in frozen or running mode, every time you click or drag within the sonogram area, frequency and amplitude rulers highlight the values corresponding to that point.
  • Every palette can be shifted by simply dragging the dB ruler, to better contrast the right amplitude ranges.
  • A mark button is provided to highlight interesting parts of the waveform for subsequent individuation.
  • Every parameter supports host automation.

http://ag-works.net/

Sonic Visualiser

Sonic Visualiser free spectrum-analyzer by Centre for Digital Music at Queen Mary

Sonic Visualiser is a free spectrum analyzer plugin developed by Centre for Digital Music at Queen Mary, University of London. Compatible OS(s): Windows 64b, macOS, Linux.

Sonic Visualiser is an application for viewing and analysing the contents of music audio files. The aim of Sonic Visualiser is to be the first program you reach for when want to study a musical recording rather than simply listen to it.

As well as a number of features designed to make exploring audio data as revealing as possible, Sonic Visualiser also has powerful annotation capabilities to help describe what you find, and the ability to run automated annotation and analysis plugins.

Features include sophisticated spectrogram views; multi-resolution waveform and data displays; manual annotation of time points and curves; measurement capabilities from spectrogram and spectrum; playback at any speed; looping and playback of discontiguous selections; ability to apply standard audio effects and compare the results with their inputs; and support for onset detection, beat tracking, structural segmentation, key estimation and many other automated feature extraction algorithms via Vamp audio analysis plugins.

Sonic Visualiser contains features for the following:

  • Load audio files in WAV, Ogg and MP3 formats, and view their waveforms.
  • Look at audio visualisations such as spectrogram views, with interactive adjustment of display parameters.
  • Annotate audio data by adding labelled time points and defining segments, point values and curves.
  • Overlay annotations on top of one another with aligned scales, and overlay annotations on top of waveform or spectrogram views.
  • View the same data at multiple time resolutions simultaneously (for close-up and overview).
  • Run feature-extraction plugins to calculate annotations automatically, using algorithms such as beat trackers, pitch detectors and so on.
  • Import annotation layers from various text file formats.
  • Import note data from MIDI files, view it alongside other frequency scales, and play it with the original audio.
  • Play back the audio plus synthesised annotations, taking care to synchronise playback with display.
  • Select areas of interest, optionally snapping to nearby feature locations, and audition individual and comparative selections in seamless loops.
  • Time-stretch playback, slowing right down or speeding up to a tiny fraction or huge multiple of the original speed while retaining a synchronised display.
  • Export audio regions and annotation layers to external files.

The design goals for Sonic Visualiser are:

  • To provide the best available core waveform and spectrogram audio visualisations for use with substantial files of music audio data.
  • To facilitate ready comparisons between different kinds of data, for example by making it easy to overlay one set of data on another, or display the same data in more than one way at the same time.
  • To be straightforward. The user interface should be simpler to learn and to explain than the internal data structures. In this respect, Sonic Visualiser aims to resemble a consumer audio application.
  • To be responsive, slick, and enjoyable. Even if you have to wait for your results to be calculated, you should be able to do something else with the audio data while you wait. Sonic Visualiser is pervasively multithreaded, loves multiprocessor and multicore systems, and can make good use of fast processors with plenty of memory.
  • To handle large data sets. The work Sonic Visualiser does is intrinsically processor-hungry and (often) memory-hungry, but the aim is to allow you to work with long audio files on machines with modest CPU and memory where reasonable. (Disk space is another matter. Sonic Visualiser eats that.).

http://c4dm.eecs.qmul.ac.uk/

SonEQ

SonEQ free eq by Sonimus

SonEQ is a free equalizer VST, VST3, Audio Unit, RTAS, AAX plugin developed by Sonimus. Compatible OS(s): Windows 64b, macOS.

SonEQ is a digital equalizer that takes parts from some vintage gear and combines them. SonEQ has 3 bands, bass, middle and treble. Also, SonEQ has a pre-amp section.

Features:

  • 3 band Equalizer, Low, Mid, High.
  • 2 Musical Filters, High-Pass Low-Pass.
  • Preamp stage with bass booster.
  • 64-bit floating point precision.
  • Up to 192kHz sample rates supported.
  • Mac Intel AU/VST, Windows 32 VST.

http://www.sonimus.com/

SoftDrive GV

SoftDrive GV free amp-simulator by AXP

SoftDrive GV is a free amp simulator VST plugin developed by AXP. Compatible OS(s): Windows.

SoftDrive GV is a virtual-analog model of the Marshall “Guv’nor” and “Guv’nor GV-2 Plus” guitar distortion effects. The Guv’nor is a solid-state distortion pedal first issued in 1989 to recreate the sound of a cranked up Marshall stack in a small stomp-box format. It became rather popular in the 90’s and is still used widely nowadays for its quality high-gain sound and a its tonal versatility. It was re-issued in the early 2000 in an updated housing and incorporating a new “Deep” control to mimic the effect of a JCM2000’s “Deep” switch.

This VST model is a tribute to the original effect and models the circuits of both the “vanilla” Guv’nor and its modern GV-2 variant.

SoftDrive GV expands on the original design and brings in new possibilities unthinkable of outside of the digital realm. In the spirit of my prior creations, this plug-in also features a few things to visualize what’s going on inside the box.

UI Controls


The effect’s controls are broken down into 4 sections:

  • Six control knobs of the original analog effect.
  • Four switches to toggle different stages.
  • Four sliders to tune the physical parameters.
  • Four buttons on top to control the VST plug-in.

1. Knobs:

  • Gain – input gain, also affects the pre-emphasis filters.
  • Level – output attenuation, frequency-dependent (see “Bright”).
  • Deep – low-end resonance, also gives a slight top-end boost (GV-2 only).
  • Bass – low frequencies in the output signal.
  • Mid – middle frequencies in the output signal.
  • Treble – high frequencies in the output signal.

2. Switches:

  • Mode – switch between GV-1 and GV-2 circuit models.
  • LEDs – toggle the LED clipping stage of the circuit.
  • Bright – toggle the treble roll-off of the “Level” control (The famous “C22 Mod”).
  • Power – toggle the whole effect on/off.

3. Sliders:

  • Voltage – power supply voltage (the default is 9v).
  • Fidelity – Op-Amp’s open-loop gain non-linearly from 100 to 200000 (default is 200000).
  • Scale – “time scale” of the model, effectively shifts the frequency response.
  • Mix – dry/wet mix.

4. Buttons:

  • About.
  • Check for updates.
  • Toggle HQ mode (oversampling).
  • Toggle Stereo mode.

UI Visualization


The plug-in UI has 2 areas that visualize the model:

1. Overdrive Stages – features an icon for each stage where saturation occurs:

  • OpAmp A.
  • OpAmp B.
  • LEDs.

2. Filtering Stages – features two logarithmic plots that show the amplitude-frequency characteristics of the filtering stages:

  • Pre (Input filter + OpAmpA + OpAmpB).
  • Post (Tonestack + Deep + Output filter).

Installation


Unzip the archive and put the “AXP SoftDrive GV.dll” or “AXP SoftDrive GV x64.dll” to your VST folder. Make sure to select the one appropriate for your system (Win32 or x64).

Notes


  • Enabling the HQ (oversampling) mode introduces an 8 sample delay. It won’t be compensated by the DAW. It will be fixed in future releases.
  • This plug-in requires the Windows Imaging Component library. It’s included in all Windows versions starting with Windows XP SP3. If you are using Windows XP SP2, you can get it as a stand-alone library here.
  • It is my hobby to develop VST audio effect models. I’m not getting paid for it and I use my own limited spare time to do this work. If you like my projects and would want to encourage the future work please consider doing something from the following:

– Tell your friends about my site and my plug-ins
– Send me audio samples you’ve made with my plug-ins
– Drop me a line or two with any comments and suggestions
– Make a small donation through my web site.

Version History


1.0.0 – 03 Sep 2013 – Initial release
1.0.1 – 07 Sep 2013 – Fixed sound corruption when multiple instances are open.

License


This software is licensed for an unlimited usage by everyone, including personal, commercial and scientific applications. You are NOT allowed to modify it (including both the binary code and the copyright information) or sell it, in either stand-alone or bundled form. The plug-in is provided “as is” without a warranty of any kind. In no event I shall be liable for any damage associated with the usage of this software. I encourage further distribution by sharing a link to the effect web page.

Please send your questions and suggestions to my e-mail or post them on the site.


VST is a registered trademark of Steinberg, GmbH
“Marshall”, “Guv’nor”, and “Guv’nor Plus” are registered trademarks of Marshall Amplification plc.

AXP is not affilated with or endorsed by Marshall Amplification.

AXP SoftDrive GV (c) 2013 Alexander Petrov-Savchenko.

http://www.soft-amp.com/

SoftAmp PSA

SoftAmp PSA free amp-simulator by AXP

SoftAmp PSA is a free amp simulator VST plugin developed by AXP. Compatible OS(s): Windows.

SoftAmp PSA is a virtual-analog guitar pre-amp supplemented with noise gate and compressor, all modeled after famous guitar gear that needs no introduction.

At its core there are 5 distortion stages. First three are based on op-amps with zener diodes in the feedback chain, while the last two are just op-amps being overdriven into saturation. They are followed by tonestack, speaker simulator and an output level control. Each overdrive stage has a distinct frequency shaping quality according to their names. See the EQ plot in the bottom right corner for details.

All stages are modeled as nonlinear filters with their outputs depending on both the frequency and the amplitude of the input signal. It gives the most accurate digital representation, compared to cascaded filter/static waveshaper approach.

In addition to the basic controls, there are two more knobs that control the speaker simulator parameters – Shape and Rolloff. With both knobs at 0, the speaker simulator is completely bypassed (for example, to be used with external impulse loader).

Giving even finer control over the gain structure, there are two more buttons – Asymmetric and Soft-Clip. The former applies to the zener diode stages and replaces the default 4.7v/4.7v zener pair with intentionally unbalanced 3.3v/4.7v pair to saturate the signal with even harmonics. The more the first three stages are overdriven, the more pronounced is the effect. See the clipping LED indicators to have a feel of which stage gets the most saturation from the signal. The Soft-Clip function applies to the two overdriven op-amps and changes their open-loop gain from 1 million to just 200. This effectively makes the transition from linear to saturated region much more softer, making the distortion less harsh and also helping the fading notes sound smoother.

The PSI Denoiser noise gate has a handy “Learn” function. Don’t play anything on your guitar and hit the Learn button. As soon as the LED goes off, the gate threshold would be automatically set to your noise level. The noise gate is applied directly to the input signal.

The Squeezo Range compressor is applied to the signal right before entering the PSA pre-amp. It’s a very nonlinear, but musical sounding device. It acts as both upward and downward compressor depending on the gain and bias setting. In the original device those controls were not available for user adjustment.

For further details please see the included manual.

http://www.soft-amp.com/

SoftAmp GT

SoftAmp GT free amp-simulator by AXP

SoftAmp GT is a free amp simulator VST plugin developed by AXP. Compatible OS(s): Windows.

SoftAmp GT is a virtual emulation of a well-known analog guitar amplifier simulator stomp-box. The prototype is a solid state circuit that uses op-amps to saturate the signal and moderate filtering to shape the tone throughout the signal path. The speaker simulation is achieved by a steep low-pass filter as well as some middle-frequency manipulation to resemble different microphone positions. All controls of the original device are faithfully reproduced in this plug-in in addition to some unique ones described below.

AMP – general amplifier family:

  • Tweed – classic American clean-sound amps.
  • British – crunch and moderate gain.
  • California – modern hi-gain amp with a deep low-end.

MOD – gain structure of the amplifier:

  • Clean.
  • Hi-gain.
  • Hot wired (same as hi-gain but with a high-freq boost).

MIC – virtual microphone position:

  • Classic – far from the speaker.
  • Center – the most bright setting.
  • Off-axis – slightly offset microphone that provides smoothed high-freq response.

The original stomp-box was somewhat criticized for having a symmetrical hard-clipping saturation and there were a lot of attempts to modify the circuit to provide smoother tube-like sound by the community. Variations included using different op-amps and using a bipolar transistor to introduce the asymmetrical clipping. This plug-in takes this concept further by introducing a special control:

CLIP – clipping mode:

  • Normal – standard hard-clipping modeled after the TLC2262 op-amp.
  • Soft – abstract symmetric soft-clipping stage.
  • Triode – virtual 12AU7 triode stage.

The most interesting is the Triode setting. It effectively replaces every op-amp in the circuit with a triode stage accurately modeled using the same engine used in the SoftAmp 3OD plug-in. It will perform asymmetric soft-cliping with dynamic behaviour that depends on the tube overdrive level that will produce a moderate amount of even harmonics. The overall difference is subtle, but it’s there. A good test would be listening to the effect applied to the sinusoidal input.

Another option is a very efficient 16x oversampling that has a non-obvious side-effect in addition to its main purpose (getting rid of the aliasing caused by the highly nonlinear distortion). Since the filters in this plug-in are digitized using the bilinear transform they exhibit a degrading matching with the analog prototypes with the frequencies approaching the Nyquist limit. Oversampling effectively shifts this frequency out of the sonic range thus greatly improving the filters’ performance at the sampling rates below or equal to 48000Hz.

SoftAmp GT also allows you to disable the embedded speaker simulation, so you can use your favourite speaker simulator plug-in with good impulses.

The last feature is the mono/stereo switch. It allows you to cut the CPU consumption in half when you don’t need both channels.

The GUI includes transfer function scopes for the three main clipping stages (there are more, but they are mostly operating in the linear range). There’s also a bode plot for pre- and post-filters, including the speaker simulation frequency response.

There are a number of presets that provide you a good starting point to experiment with this plug-in.

The sound sample provided on this page is based on the raw guitar samples of unknown origin. I would immediately remove them at the request of the owner if it happens to violate his copyright.

This plug-in is licensed for an unlimited usage by everyone, including commercial applications. You are NOT allowed to modify or sell it, in either stand-alone or bundled form. I encourage further distribution by sharing a link to this page.

I will provide support for this plug-in in a ‘best effort’ format. Please use the discussion page here or e-mail me directly with bug reports, suggestions and general feedback.

http://www.soft-amp.com/

SoftAmp FM25

SoftAmp FM25 free amp-simulator by AXP

SoftAmp FM25 is a free amp simulator VST plugin developed by AXP. Compatible OS(s): Windows.

SoftAmp FM25 is a virtual-analog model of the Fender Frontman 25R combo amp. The Frontman is a versatile solid-state practice amplifier for electric guitar. It’s equipped with 10″ speaker, has 2 channels that share a 3-band equalizer, and a spring reverb. The current issue sports a classic “Blackface” look.

“Huh, a solid state Fender practice amp model. Now that is an interesting choice” – was the initial response from one of the beta testers. The reason for that choice is simple: Frontman 25R was the first guitar amp I’ve ever owned. To my best knowledge its digital model did not exist, so I decided to fill the gap. And after all, who needs yet another incarnation of say, JCM800?:)

This VST model is a tribute to the original design and faithfully models all its essential features. It is mainly intended for quick and simple recording of draft tracks as well as for some live jamming whenever you don’t feel like setting up a more sophisticated amp simulator.

This one runs straight out of the box, looks exactly like a guitar amp and has everything you need to start playing – clean and distorted channels with speaker simulation and a reverb.

As usual, it’s got all the conveniences associated with AXP plug-ins, like a stereo processing capability, high quality anti-aliasing oversampling and switchable speaker simulation.

All controls are carefully mapped to produce linear sound pressure level changes, i.e. they are linearized in dB scale.

In addition, there’s a special switch added late in the beta test cycle – the “AXP Mod”. It does two things:

  • Replaces all gain stages with vacuum triodes (each based on the SoftAmp 3OD algorithm).
  • Alters the tone stack’s middle control frequency response.

Yes, you’ve read it right, with a flip of a switch a solid-state amp becomes a tube one and the real fun begins.

VST is a registered trademark of Steinberg, GmbH.

“Fender”, “Frontman”, and “Blackface” are registered trademarks of Fender Musical Instruments Corporation.

AXP is not affiliated with or endorsed by Fender Musical Instruments Corporation.

AXP SoftAmp FM25 (c) 2014 Alexander Petrov-Savchenko.

http://www.soft-amp.com/