Download Tag: Analog Emulation

Features:

• 3 oscillators with sync – Osc1 (Saw/Tri, Pulse, Sin, Noise), Osc2&3: Tri, Pulse, Sine, Noise, FM, Ring Modulation.
• 2 filters – LP/HP/BP/Notch – single, serial or parallel routing.
• 2 envelope generators.
• 2 LFOs.
• Distortion, Chorus/Flanger, Compressor.
• 16 part multi-timbral.
• Up to 16 note polyphonic.
• Global: Reverb, Stereo Delay, LP/HP filters and Compressor.
• Extensive modulation routing.
• Incomprehensible but “uber-sexy” singing Speech Synth.
• 100 presets.

http://farbrausch.com/

Features:

• Unison oscillator. Stack up to 8 oscillators and detune these for really fat basses and leads.
• LFO with key track.
• Ring Modulator (Controlled by mod wheel).

http://www.gtgsynths.com/

Features:

• 16 Voice Unison Monophonic Synthesizer.
• 2 x Stereo Unison oscillators with 68 Waveforms.
• Up to 8 uni voices per oscillator.
• 4 x 24db Multi mode Filters.
• 2 x Amp ADSR.
• 2 x Filter ADSR.
• 2 x LFO with BPM Sync and multiple routing options.
• Phrase Arpeggiator with 128 note memory.
• Groove Control.
• CV Step Sequencer with multiple routing options.
• 3 band EQ.
• 32 Patches.

http://www.amvst.com/

ULTRAkILLER is a two oscillator Virtual Analogue synth with the following features:

• Each oscillator gives a choice of 3 oscillator types:
  1. BASIC oscillator is just that with 7 waveform choices.
  2. UNISON oscillator has 11 waveforms and built-in Unison [low CPU use].
  3. SPECTRAL oscillator is a high quality additive oscillator.
• Unison mode with up to 7 voices.
• Oscillator Hard Sync.
• Two State-Variable Filters with complex stereo routing options and mixable Low-Pass, High-Pass, Band Pass and Band Reject filter modes.
• 2 x 6-stage Modulation Envelopes with looping and assignable interpolation modes.
• 2 x tempo-synced LFO.
• 2 x Randomators [accessed from Mod Matrix].
• Dedicated ADSR envelope for VCA stage.
• 2 separate overdrive stages, one per oscillator and one post-VCA.
• Built-in Gate effect.
• 8-slot Modulation Matrix.
• Full MIDI CC implementation.

http://www.novakill.com/

Type-F is a polyphonic synthesizer with effects section.

Features:

• 2 oscillators.
• LP/HP filters.
• LFO.
• Portamento.
• Flanger, Delay, chorus effects.
• Some parameters can be controlled by MIDI CCs.
• 100 presets.

http://homepage2.nifty.com/flowerenagy/

Twin Bass is a Bass Synthesizer with a double filter architecture allowing to create rich mid-range bass textures together with a solid sub bass foundation. Also vocal-like timbres can be easily created. Features an extensive modulation matrix and individual outs for the filters.

• 2 Oscillators: Sine, Saw, Ramp, Triangle, Pulse, Noise.
• 2 Filters operating in parallel (connection in series is also possible).
  • Filter 1: 2 x Low pass, 2 x High pass, Bandpass.
  • Filter 2: stereo filter with separate cut-off for left and right side (2 x Low pass, 2 x High pass, Bandpass).
• Feedback loop for the entire filter section.
• Distortion effect with two modes
  • hard: metallic distortion sound.
  • soft: tube-like warm distortion.
• The distortion effect can be applied pre- or post-filter. Also it is possible to distort only the signal in filter 2, thus preserving a clean signal from filter 1. This setup is predestined to generate a sub bass with filter 1 whereas filter 2 can provide interesting midrange textures in stereo.
• Modulation
  • 3 x LFO, synchronized to host application.
  • 3 x ADSR Envelope.
  • Matrix: 5 modulation slots connect 12 modulation sources to 26 modulation destinations. Pitch bend, amplifier envelope and filter envelope are pre-wired.
• Process external signals: In Oscillator 2 an external signal can be selected as the waveform.
• MIDI learn: Right-click any control to assign a MIDI control and automate the parameter from you DAW.
• Monophonic modes with glide.
• Polyphonic modes with max. 8 simultaneous notes.
• Individual Outs are available for the two Filters. This feature helps to integrate the bass sound in your mix. For example apply additional effects like reverb to the mid range signal from filter 2 while keeping the sub bass form filter 1 clean.
• Structure display: This panel shows the signal flow of the synth as it results from your settings of the filter and FX routings.
• Pop-up hints: While the mouse hovers over a control a hint appears explaining the function of the control.

http://www.interruptor.ch/vst_overview.shtml

Substance is a virtual analog software synthesizer emphasizing simplicity, flexibility, and sound quality.

The key factors in the design of Substance were that it would sound great, without effects, and that it would fit on one page. Substance has two of everything: two oscillator sections, two LFOs, two envelopes, two filters.

The oscillator sections were inspired by the architecture of classic analog polysynths, which used multiple oscillators to achieve polyphony, but allowed the oscillators to be combined for a monophonic Unison mode. The oscillators would generally be slightly out of tune with one another, resulting in a rich, chorused sound. Each of Substance’s oscillators likewise comprises seven unison voices, with the amount of detuning, and the stereo breadth being addressed by a single parameter, Spread.

The LFOs can be used to modulate almost every parameter of the synth. They can be used to trigger the envelopes, to modulate the frequency and pulse-width of the oscillators, the cutoff frequency of the filters, and the volume of the amplifier. LFO-1 can be switched between free-running, tempo-synced, and key-synced modes.

A manual is included in the download link, detailing the other features. All parameters can be automated. Remote control is available via host mapping or MIDI learn.

https://tactilesounds.blogspot.com/