Download Tag: Analog Emulation

Polyslop is a polyphonic synth created to emulate sounds from the Arp/Moog era of Synthesizers. Polyslop is programmable and allows users to save their custom presets.

https://www.necromare.blogspot.com/

Features:

• 3 Oscillators (each one with 5 waveform: Sine, Saw, Ramp, Triangle, Square).
• 2 Filters (the second filter with 2 source: Filter 1 or Oscillators).
• 2 Envelopes (one for the Amp and one for the 3 Osc and 2 Filters modulation).
• 2 LFO (with 5 waveform).
• Effect section: Reverb, Delay, Soft Drive, Autopan, Flanger/Chorus.
• A simple Arpeggiator (with 4 mode: Up, Down, Random1, Random2).
• The beta version has only 16 program patch.

http://aswave.altervista.org/

Polly8 is described as a recreation of a famous synth of yesteryear.

Features:

• VA / FM.
• 24 voice Polyphony.
• 2 oscillators per voice except the supersaw, which has 6.
• Ring Mod.
• X-Mod.
• 2 LFOs.
• Live Bender to modulate while playing live.
• Chorus, Delay, Phaser, EQ.

https://sites.google.com/site/osirissynths/

plastique is a 2-oscillator subtractive synth, using the 31 waveforms from the Casio HT-700 synth and some enhancements to the original’s feature set. It does lo-fi 80s sounds but also so much more, with a configurable filter (up to 16 poles), a pitch envelope for percussion, an arp, tempo sync delay & LFO, chorus and some lo-fi instability.

Features:

• 31 Waveforms from the Casio HT-700.
• 2 Oscs with sync and octave / semitone detune.
• Configurable Resonant Low Pass filter (2-16 poles with cut-off spread).
• Volume and Pitch envelopes.
• Tempo sync LFO with 10 waveforms and note-on sync to modulate filter and pitch.
• Tempo sync Arp with 6 modes and adjustable octave range, note length.
• Tempo sync Delay.
• Adjustable Chorus.
• Lofi options include reduction in quality, distortion and pitch drift.
• 64 presets from Tim Conrardy, Ouroboros & Sink.

https://delamanchavst.wordpress.com

PG-23P is an emulation of the Roland JX-3P from the PG-200 programmer’s interface. It was developed using a physical JX-3P and available specifications in order to match all routing, depth, tuning, and value ranges as closely as possible. It has all the characteristics and features of the JX-3P’s synthesis including:

• Multi-Routed ENV and LFO Destinations, with Depth and Post ON/OFF switches for quick switching of Patch variations.
• The JX-3P PWM ‘trick’. Set Cross Mod to Sync, Mix to DCO-2 and control the tuning of DCO-2 (manually or with the LFO) to achieve Pulse Width Modulation.
• Separate POS. and NEG. ADSR positions for the Pitch and Filter.
• 3 Cross Modulation modes: NONE, SYNC, and METAL (a type of Ringmod w/ DCO-1 as the carrier).
• Built in Chorus.
• Turn Velocity Sensitivity to 0 to accurately recreate the JX-3P’s keyboard, or turn it to 10 to recreate the velocity sensitivity that was only to it available through MIDI-IN.
• Global Highpass Filter and VCA Modes: ENV (which uses the ADSR) or GATE (on/off response, no velocity sensitivity).
• 6 Voice, 12 Oscillators with Sine, Narrow-Pulse, Pulse-Saw, and Noise waveforms.

Full Specifications:

• Polyphonic.
• DCO:
  Osc1:
  • Sine, Narrow-Pulse and Pulse-Saw.
  • Octave Range: 16′, 8′, 4′.
  • Modulation: LFO or ENV (Positive or Negative).

  Osc2:

  • Sine, Narrow-Pulse, Pulse-Saw, Noise.
  • Octave Range: 16′, 8′, 4′.
  • Tune (transpose) ± 12 semitones.
  • Fine Tune ± .65 semitones.
  • Modulation: LFO or ENV (Positive or Negative).
  • Cross MOD: None, Sync and Metal (sync+ringmod).
• Oscillator Mix.
• Hi-pass Filter.
• VCF:
  • Low-pass Filter.
  • Cutoff and Resonance.
  • Envelope intensity.
  • Pitch Follow.
  • LFO MOD Amount.
  • ADSR Envelope (Positive or Negative).
  • Velocity control adjust.
• VCA:
  • Main Level.
  • ADSR Envelope or Gate.
• LFO:
  • Shape: Sine, Pulse-Saw and Random (combination).
  • Frequency.
  • Delay Time.
  • Destinations: DCO1, DCO2, VCF.

http://www.plosive.net/vst/

Parisma Eighties is a simple synth designed to create some Moog and 80’s synth sounds – no particular brand or model just the sound and feeling.

http://www.retrosampling.se/

Features:

• 8 oscillators with 7 waveforms per oscillator (sine / sawtooth / triangle / ramp / pulse / w.noise / p.noise).
• 5 filter types per oscillator (LP/HP/BP/notch/moog).
• 5 octave variations per oscillator (0/1/2/3/-1/-2).
• LFO synced to BPM.
• ADSR.
• Tuning.

http://www.sanusart.com/