Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Tech Tom Free is analog synth drum, similar to ULT-SOUND DS-4.
Tech Tom Free has 9 sliders, 5 buttons and 2 pads.
You can get Tech Tom Free on Google Play.
Tech Tom Movie (Japanese): {See video at top of page}
notice:Tech Tom Free has no delay function.
http://www.kajiya.net
TDR VOS SlickEQ is a mixing/mastering equalizer designed for ease of use, musical flexibility and impeccable sound.
Three (and a half) filter-bands arranged in a classic Low/Mid/High semi parametric layout offer fast and intuitive access to four distinct EQ modes, each representing a set of distinct EQ curves and behaviors. An elaborate auto gain option automatically compensates for changes of perceived-loudness during EQ operation. Optionally, SlickEQ allows to exclusively process either the stereo sum or stereo difference (i.e. “stereo width”) without additional sum/difference encoding.
In order to warm up the material with additional harmonic content, SlickEQ offers a switchable EQ non-linearity and an output stage with 3 different saturation models. These options are meant to offer subtle and interesting textures, rather than obvious distortion. The effect is made to add the typical “mojo” often associated with classy audio gear.
An advanced 64-bit multirate processing scheme practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more.
SlickEQ is a collaborative project by Variety of Sound (Herbert Goldberg) and Tokyo Dawn Labs (Vladislav Goncharov and Fabien Schivre).
Key specs and features:
- Intuitive, yet flexible semi parametric EQ layout.
- Full featured, modern user interface with outstanding usability and ergonomics.
- Carefully designed 64-bit “delta” multi-rate structure.
- Three EQ bands with additional 18dB/Oct high-pass filter.
- Four distinct EQ models: “American”, “British”, “German” and “Soviet” with optional non-linearity.
- Four output stages: “Linear”, “Silky”, “Mellow” and “Deep”.
- Advanced saturation algorithms by VoS (“stateful saturation”).
- Highly effective and musically pleasing loudness compensated auto gain control.
- Oversampled signal path including stateful saturation algorithms.
- Stereo and sum/difference processing options.
- Tool-bar with undo/redo, A/B, advanced preset management and more.
{See video at top of page}
http://www.tokyodawn.net/tokyo-dawn-labs/
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms.
With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.
Kotelnikov does not try to emulate any previously available device. The concept is a proud digital processor, it is the original.
Notable features:
- 64-bit floating point precision for all relevant calculations.
- Multi-rate processing structure for highest accuracy.
- “Delta” oversampled signal path (bit transparent at 0dB gain reduction).
- Super fast, yet natural sounding compression.
- Control scheme based on “Crest factor”, offering independent release controls for peak and RMS events.
- Flexible sidechain highpass filter.
- Advanced stereo linking options optimized for the stereo bus.
- Delta preview mode to preview the difference between compressed and original signal.
- Latency compensated bypass (processing doesn’t interrupt).
- Extensive documentation.
The standard edition is available for free, the improved Gentleman’s Edition can be purchased directly from Tokyo Dawn.
{See video at top of page}
http://www.tokyodawn.net/tokyo-dawn-labs/
TDR NOVA is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, each band also includes a full featured dynamics section allowing the processor to cover an impressively wide range of applications. Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant answer.
A user friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful processing capabilities. With its four dynamic EQ bands and additional high-pass and low-pass filter sections, NOVA can meet the most exotic demand. Intuitive equal loudness functions help finding the optimal setting without getting distracted by loudness differences.
In practice, the processor covers a whole bucket of tasks:
- Parametric equalization.
- Dynamic equalization.
- Frequency selective compression.
- Multi-band compression.
- Wideband compression.
Of course NOVA features all helpers and work-flow enhancements you’ve come to expect in a TDR plugin: A preset manager, undo/redo, A/B, detailed documentation, copy & paste, and much more.
TDR Nova is free. The improved “Gentleman’s Edition” is available here.
{See video at top of page}
http://www.tokyodawn.net/tokyo-dawn-labs/
The TDR Feedback Compressor II is a major design update of its critically acclaimed predecessor. The compressor is dedicated to the highest fidelity stereo program (2-buss) compression, but shines equally in classic mixing tasks.
Most modern compressors analyse the input signal to control gain reduction. This is known as a “feed-forward” topology. The TDR Feedback Compressor II, however, analyses the output. This approach delivers unobtrusive and highly musical compression characteristics which mean the compressor is able to handle complex signals with ease.
The TDR Feedback Compressor II takes this traditional compression topology to new heights as a state of the art dynamics processor combining an unusual and highly flexible, yet intuitive control scheme. The compressor has been carefully tuned for intuitive and musical operation for almost every situation. No compromises have been made in order to achieve the highest possible quality of dynamic control.
We want to emphasize the fact that the processor neither tries to emulate any previously available device, nor does it follow popular trends like “virtual analogue”, “circuit modelling” or similar buzz words. This is a proud digital processor, made with an immense amount of love and care.
http://www.tokyodawn.net/tokyo-dawn-labs/
Important: Version II is now available!
A carefully designed RMS-based dynamic range compressor. The processor is dedicated to sum/bus compression and is the result of an intensive study about the musical behaviour of “classic” feed-back compressor designs. Most modern compressors analyze the input signal to control gain reduction. The feed-back compressor design however “listens” to its output. This non-intuitive approach delivers an unobtrusive and highly musical compression characteristic that is able to handle complex signals with ease.
We want to emphasize the fact that the processor neither tries to emulate any previously available device, nor does it follow popular trends like “virtual analogue”, “vintage” or similar buzz terms. This is a proud digital processor, made an immense amount of love and care.
Notable features:
- Typical “Feed-Back Compression” musicality and behavior.
- All relevant calculations are done at 64-bit precision.
- Differential oversampling structure (only the “wet” part is oversampled).
- Re-sampling via high quality linear phase filters.
- Advanced stereo-linking (reduces audible cross-modulation).
- Adaptive integration time RMS detector. Optional PEAK and adjustable RMS detection.
- Freely adjustable compression knee.
- Upward compression mode.
- Optional 6dB/oct and 3dB oct HP side-chain filters.
- Optional low and high frequency harmonic distortion.
- Independent release controls for fast and slow program material.
- Delta preview mode. Allows to preview the difference between compressed and original signal.
- Latency compensated parallel bypass (i.e. processing not interrupted).
http://www.tokyodawn.net/tokyo-dawn-labs/
Kontakt 5 multi drumsamples bank of Ludwig Super classic 1964 drumset.
http://www.tchackpoum.fr
TimeMachine allows to simulate the effect of A/D and D/A aliasing, re-sampling, and bit reduction (both linear and mu-Law quantization).
Features:
- Zero-latency processing.
- Support of all sampling rates from 44.1 to 192 kHz.
- Re-sample rate adjustable between 1000 and 44100 Hz.
- Bit depth adjustable between 0 and 16-bits on a continuous scale.
- Linear or mu-Law quantization, with or without dithering.
- Analog saturation.
https://www.toneboosters.com/
Features:
- Single oscillator.
- 8 step sequencer with glide and accent. You can choose between 3-8 steps; every note is one step in the sequencer.
- LFOs for filter cut off and filter decay.
- 5 different filters LP, HP, BP, 4pole, 8pole.
- Simple hard distortion.
https://theodosynthsarchive.wordpress.com/
by Antti of Smart Electronix
Taurus is a virtual recreation of the famous Moog Taurus bass pedals from 1970’s.
Things modelled in Taurus:
- Alias free oscillators.
- Finite oscillator reset time.
- Nonlinear Moog ladder filter.
- Nonlinear VCA.
- Nonlinear envelopes.
- And of course all the rest of control circuitry at component level.
http://www.smartelectronix.com/