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D’Pinga Guiro

DPinga Guiro is a free rompler VST, Audio Unit plugin developed by PulpoAudio. Compatible OS(s): Windows 64b, macOS.

D’Pinga Guiro is a Guiro as virtual instrument, suitable for afro Cuban / salsa music.

Key facts:

Guiro with 3 sounds.

each in 7 speeds.

4 velocity layers.

4x round robin.

Adjustable tune and envelope.

D’Pinga Guiro has been developed using the JUCE framework and is released under GPL3.

Refer to www.pulpoaudio.com/blog for other products.

Please listen to the audio demo in the audio demos section:

Danzón (made with D’Pinga Congas, D’Pinga Timbales, D’Pinga Bongo, D’Pinga Guiro, DryAged and Chris Hein Horns Compact).

http://www.pulpoaudio.com/blog

D’Pinga Congas

DPinga Congas is a free rompler VST, Audio Unit plugin developed by PulpoAudio. Compatible OS(s): Windows 64b, macOS.

D’Pinga Congas is a set of conga drums (Quinto, Conga and Tumba) as virtual instrument, suitable for afro cuban / salsa music.

Key facts:

12 sounds for each drum (Quinto, Conga and Tumba).

….with up to 8 velocity layers each.

…4x round robin.

Adjustable gain, tuning and pan for each drum.

Adjustable envelope.

2 Programs:

Congas light with 15 selected sounds for easy playability.

Congas full including all sounds.

D’Pinga Congas has been developed using the JUCE framework and is released under GPL3.

Refer to http://www.pulpoaudio.com/blog for other products.

Please listen to the audio demos in the audio demos section:

Latin Jazz (made with D’Pinga Congas, D’Pinga Timbales, D’Pinga Bongo and DryAged)

Danzón (made with D’Pinga Congas, D’Pinga Timbales, D’Pinga Bongo, D’Pinga Guiro, DryAged and Chris Hein Horns Compact)

http://www.pulpoaudio.com/blog

D’Pinga Bongo

DPinga Bongo is a free rompler VST, Audio Unit plugin developed by PulpoAudio. Compatible OS(s): Windows 64b, macOS.

D’Pinga Bongo is a set of bongo drums and a campana (hand cowbell) as virtual instrument, suitable for afro cuban / salsa music.

Key facts:

16 Bongo sounds.

10 Campana sounds.

….with up to 8 velocity layers each.

…4x round robin.

Adjustable gain, tuning and pan per drum.

Adjustable envelope.

D’Pinga Bongo has been developed using the JUCE framework and is released under GPL3.

Refer to http://www.pulpoaudio.com/blog for other products.

Please listen to the audio demos in the audio demos section:

Latin Jazz (made with D’Pinga Congas, D’Pinga Timbal, D’Pinga Bongo and DryAged)

Danzón (made with D’Pinga Congas, D’Pinga Timbal, D’Pinga Bongo, D’Pinga Guiro, DryAged and Chris Hein Horns Compact)

http://www.pulpoaudio.com/blog

DP Control

DP Control is a free midi controller plugin developed by MOTU. Compatible OS(s): iOS.

DP Control is a free app that allows Digital Performer users to control DP over a WiFi network using their iPhone, iPad or third-generation iPod Touch.

Features:

Built for DP: Built specifically for use with Digital Performer (Version 7.2 or later), DP Control gives users easy access to the most important transport and mixer functions for tracking, mixing, and live performance.

One-handed operation: Designed with large, touch-friendly buttons and other UI elements, DP Control works in both landscape and portrait orientations. In portrait mode, users can hold their iPhone or iPod in one hand, and comfortably operate DP Control by pressing buttons and swiping to new pages with their thumb.

Multi-touch mixing: Wireless, multi-touch mixing with Digital Performer is now a reality. Users can operate multiple on-screen Mixing Board faders simultaneously with several fingers. For two-handed mixing, users can turn their iPad sideways and mix with fingers from both hands at once. Faders and other controls are large and easy to grab. Users can quickly swipe left and right to access more faders as they mix.

Bidirectional communication: If users make a change from DP Control on their remote device, such as renaming a take or adding a marker, the corresponding DP project on the host Mac is immediately updated, and vice versa. This two-way communication makes DP Control a seamless extension of DP.

Feature highlights:

Real two-way communication: changes made in DP Control are immediately reflected in DP, and vice versa.

Editable time counter with selectable format (including real-time, SMPTE time, samples, and marker names).

Main transport control and many other transport-related Control Panel functions (click, countoff, memory-cycle, etc.).

Page-controlled, scrollable mixer with animated, recordable pan knobs and volume sliders, plus level meters and peak indicators.

Solo, Mute, Record-enable, Play automation, Record automation and automation mode settings for each track.

Track list for the host DP project, complete with collapsible nested track folders and dynamically linked track organization that matches the currently open DP project on the host Mac.

Infinite undo, with the ability to step through the next and previous tasks in the host DP project undo history.

Marker creation and naming.

New Take, Previous Take, and Next Take functions that operate on all of the record-enabled tracks at once (essential for tracking drums).

Take selection, by name, for individual tracks. Also New Take, Delete Take, and Rename Take for the current take on any individual track.

Save function for saving changes made to the DP document.

DP Control is compatible with any iPhone, iPad, and third-generation iPod Touch, and it requires Digital Performer 7.2 or later running on a Mac on the same WiFi network as DP Control.

For videos, interactive Flash, and more information, visit the Digital Performer web pages.

http://www.motu.com/

Down the hatch

Down the hatch is a free overdrive and saturation VST plugin developed by RunBeerRun. Compatible OS(s): Windows.

Down the hatch is an amplifier simulator plug-in for the guitar. It features simple distortion into a comb filter-based cabinet simulator into your choice of additional grit.

https://runbeerrun.blogspot.com/

Double Six XXL

Double Six XXL is a free software synthesizer developed by Odo Synths. Available format(s): VST for Windows.

Double Six XXL is a 6-operator FM synth with 32 DX7 algorithms and 16 4-operator algorithms.

Features:

6-operator FM synth with 32 DX7 algorithms and 16 4-operator algorithms.

Every operator has its own envelope. You can choose between 1 and 8 stages and set the sustain point from 1 to 7 or off.

Every operator has a clipper, overdrive, lowpass filter and a distortion.

2 octave sequencers with Destinations operator 1 to 6.

4 envelopes with retrigger mode on BPM rates.

3 LFOs with 19 different waveforms with 16 different BPM rates and free rate (manual) mode. Destinations of the LFOs are pitch operator 1 to 6, phase modulation 1 to 6 and cutoff.

The LFOs can start free (any point of the LFO waveform), gated starts when you hit a key or first (starts when you hit play in the sequencer).

An octave pitch.

14 different curves for the envelopes. All envelopes have a time knob. You can switch between the envelope and volume.

The operators can be disabled, fixed or pitched and have a octave range from -6 to 3, fine-tune and pulse width.

11 different waveforms for the operators.

The filter has the same envelope and there are 10 different filters types low-pass 12db, low-pass 24db, low-pass db32, hi-pass, band-pass, CK low pass, CK Band pass, CK hi pass, CK notch and CK peak.

Volume envelope.

EZ preset: This allows you make new sounds fast. You can reset all fine-tunes with the hit of a button or change all waveforms, set all the octaves the same and the times of the envelopes.

Phase modulation depth control and a feedback control.

Volume envelope.

Note sequencer.

Build in effects are Chorus, stereo delay, gater, clipper, overdrive, distortion and phaser effects.

Velocity controls.

Voice/poly control.

https://theodosynthsarchive.wordpress.com/

Double Six

Double Six is a free software synthesizer developed by Odo Synths. Available format(s): VST for Windows.

Double Six is a 6-operator FM synth with 32 DX7 algorithms and 16 4-operator algorithms.

Features:

6-operator FM synth with 32 DX7 algorithms and 16 4-operator algorithms.

Every operator has its own envelope. You can choose between 1 and 8 stages and set the sustain point from 1 to 7 or off.

Every operator has a clipper.

2 octave sequencers.

3 envelopes with retrigger mode on BPM rates.

3 LFOs with 19 different waveforms with 16 different BPM speeds and free rate mode.

14 different curves for the envelopes. You can disable the envelope to save some CPU. All envelopes have a time knob.

The operators can be disabled, fixed or pitched and have a octave range from -6 to 3, fine-tune and pulse width.

11 different waveforms for the operators.

The filter has the same envelope and there are 5 different filters types (low-pass 12db / low-pass 24db / low-pass db32 / hi-pass / band-pass).

EZ preset: This allows you make new sounds fast. You can reset all fine-tunes with the hit of a button or change all waveforms, set all the octaves the same and the times of the envelopes.

Phase modulation depth control and a feedback control

Master and volume envelopes.

One BPM LFO for PMD operator 1 to 6, pitch 1 to 6 and cutoff.

Chorus, stereo delay, gater and phaser effects.

MIDI Learn.

128 preset + 32 made by Cuppa.

https://theodosynthsarchive.wordpress.com/

Doppler Dome

Doppler Dome is a free panner and doppler VST, Audio Unit plugin developed by Aegean Music. Compatible OS(s): Windows 64b, macOS.

Doppler Dome a free plugin based on the Doppler effect. The idea is to have a plugin that can take a constant car engine sound or something, and make it seem like the car speeds past you. Not just past you but it could do a circle near you, or accelerate then slow down.

It can be adjusted to have different levels for pan, volume, and pitch effects, so it can make the equivalent of a chorus, panner, tremolo, vibrato, etc, but with a totally flexible LFO / automation source.

The Blend control will mix the pitch effect with the dry signal, this is a bit like a chorus or modulated delay. The Pitch Scale knob determines how much pitch is affected, it can be turned off by setting it to zero. The Volume Scale Scale knob determines how much volume affected, based on distance. The Pan Scale Scale knob determines how much L/R position is affected, based on left and right position.

A MIDI not on message can be used to reset the path position and sync it with the audio or MIDI events.

{See video at top of page}

http://aegeanmusic.com

Dope Trap Construction Kit 01

Dope Trap Construction Kit 01 is a free construction kit by FatLoud. Avalaible audio files format(s): .wav, .wav 16b.

Download now your Free Trap Construction Kit Volume 01 by Dope Loops!

Download Free Trap Construction Kit produced by Dope Loops. This Trap kit has been composed from 16 loops including:

Drum loops.

Sub 808 bass loop.

Synth loops.

FX and more.

Dope Trap Construction Kit 01 is available in 16-bit WAV format which is compatible with such DAWs & samplers like: FL Studio, Propellerhead Reason, Apple Logic Pro, Presonus Studio One, Steinberg Cubase, Ableton Live, NI Maschine and more.

Demosong

http://www.fatloops.com

Dominator

Dominator is a free software synthesizer developed by Computer Music. Available format(s): VST for Windows 64b.

Programmed from the ground up to CM’s own specifications, Dominator takes the venerable sound of classic analogue synths and beefs it up with modern routing, modulation and waveshaping options.

Features:

Triple Oscillators

Three oscillators per voice with a choice of six waveforms (Saw, Pulse, Sine, Triangle, Sync Saw, Sync Pulse).

Pulse width modulation per voice and coarse (4 octave range) and fine tuning adjustments.

Oscillator Control

Dedicated LFO to control vibrato depth and pulse width modulation.

Glide time setting and mod wheel vibrato depth control.

Analog control for adding fat analogue-style detuning.

Voice Control

Four voice modes (monophonic, polyphonic, unison and chord mode).

Unison with 2, 6 or 12 voices.

Chord mode with 5 user-definable intervals (plus root note) for building up complex chords to be triggered from a single key.

6 play modes for mono/unison/chord, for controlling when glide should be applied and when envelopes should be reset.

Smart mode for handling successive presses of the same key, or Reset mode, where all envelopes and oscillators are reset for each note, for a punchier sound.

Mixer

Independent levels for each oscillator.

Noise and ring modulation (between oscillators B and C) can also be mixed in.

An external input signal can be mixed in on the VST effect version (this is mixed into each voice).

Amplitude Envelope

Classic ADSR envelope with velocity sensitivity.

Optional ‘Warm’ VCA mode gives a non-linear analogue-style response.

FX

Chorus modeled on the classic Roland Juno chorus, with depth and rate controls.

Dual Filters

Two fat multimode Moog-style filters per voice, with 5 filter types (lowpass 12/24dB, bandpass 12/24dB and highpass 12dB).

Filters can be overdriven and can be made to self-oscillate, just like true analogue filters.

Keytrack, velocity and filter envelope can all be used to modulate the cutoff frequency.

Optional ‘Warm’ mode drives filter harder to add more oomph and body.

Filter Envelope

The classic ADSR envelope for modulating cutoff of the filters.

Waveshaping

Optional waveshaper per voice with five different modes and drive control (goes up to 11).

Transistor, diode, hard clip, sine and rectifier shaping modes.

Routing

Waveshaper and the two filters can be configured in five different arrangements, including serial and parallel configurations, for flexibility.

LFO

LFO with sine, triangle, square, positive-only square, sample and hold and noise shapes.

Can modulate amplitude, oscillator pitch B, oscillator pitch C, filter A and filter B.

Modulation Envelope

ADSR envelope to modulate filter B, pulse width modulation, vibrato depth, oscillator pitch B, oscillator pitch C and noise level.

http://www.computermusic.co.uk/