Free Audio Plugins & Softwares. All the Best VST & Audio Units Available for Free.
Features:
- Two oscillators.
- Three LFOs.
- Four Filter modes.
- Oscillator sync.
- Stereo Chorus with adjustable amount and rate.
- 8 voice polyphonic.
- MIDI Automation.
- 16 Presets.
http://www.gtgsynths.com/
GTA is a stripped-down, hot-rodded, limited edition version of GTO, with less features but more flavour.
https://delamanchavst.wordpress.com
GT Analyser is a high-resolution spectrum analyser plug-in with unmatched low-end precision. GT Analyser offers many controls to allow you to get the ultimate view of the frequency content of your sound.
GT Analyser uses cutting edge techniques to display an accurate representation of the frequency content of a sound. The many controls shipped with GT Analyser allow anyone to tweak its behavior to their exact needs and tastes.
The analyser has unmatched low-end precision compared to other spectrum analysers thanks to its unique algorithm. It also has one of the best looking UI’s of any analyser available today so you will love using it on all of your audio projects.
https://gramotech.co.uk
GT Sidechain Gate is a simple sidechain gate with two stereo inputs (the second is for the key input) so it requires a VST host with flexible routing possibilities.
http://www.gersic.com/plugins/index.php?searchFor=glitchtek
The GSS-370 is an approximate emulation (sound-a-like; this is not an exact emulation) of the Yamaha PSS-370 synthesizer (1980s FM synth). “Circuit-bending” modifications have been added in addition to the Standard synthesizer controls.
Features:
-the PSS-370’s digital synthesizer controls (5 waveforms, octave of modulating oscillator, frequency modulation level, Attack, Decay, and level. Vibrato and sustain (release) switch included)
-Switch between standard and ‘circuit-bent’ controls
-Decibel reading and peak indicator.
-Gain (boost)
-V-Mod (amount note velocity will affect vibrato depth)
-Filter with cutoff, resonance (both LFO controllable), fill, and dry knobs.
-LFO with frequency and depth controls
-Send LFO to: Pitch, PWM (active when Wave=5/pulse), Pan, or Volume. On/off switch included.
-Power on/off
-Mod wheel controls LFO frequency.Knobs created by Vera Kinter.
*download fixed as of July 2018.
https://synthiv.ivysirena.com/
GSnap is an auto-tune effect. It can be used subtly to correct the pitch of a vocal, or, with more extreme settings, to create a robot-voice effect.
For GSnap to work effectively, the input signal should be monophonic, at a good level and reasonably noise-free. For example, a clean, mono vocal recording, without excessive noise or reverb. Effect plug-ins should be placed after GSnap in the signal chain.
GSnap starts off by detecting the pitch of the incoming audio. The Min Freq and Max Freq parameters help the pitch-detector by narrowing the range of frequencies it needs to consider. Also, the Gate parameter should be set so that the pitch-detector ignores background noise during “silent” passages.
The Speed parameter sets the number of wave repetitions required for positive pitch-detection. Lower values for Speed will allow faster pitch-detection, but will increase the chance of false detection. The default value should be fine in most cases.
Once a pitch has been determined, GSnap applies the specified pitch-correction. There are two modes of pitch correction: fixed scale and MIDI. Fixed scale correction has a fixed set of snap-notes, while MIDI correction is controlled in real time by MIDI data.
The Threshold parameter sets the largest pitch-shift that will be applied to the input. It defines a region around each snap-note that will be corrected to that note. The GUI shows the snap-notes and regions in effect at any time.
The pitch-detection and correction can be made to use a different reference frequency using the Calibrate parameter. This sets the frequency of A above middle C.
Additionally, GSnap will respond to pitch-bend and modulation MIDI messages to apply pitch-bend and vibrato. The Pitch Bend, Vibrato and Vib Speed parameters control these effects.
http://www.gvst.co.uk/
GSinth2 is essentially the same as GSinth, but with a few extra features. Most notably, GSinth2 offers new oscillator types: triangle, square and saw-tooth.
GSinth is a monophonic synth with three sine oscillators. It also features an LFO for controlling the output level.
The first oscillator will play at the frequency of the MIDI note pressed. The remaining two oscillators can be set to play at a multiple of this frequency. You can also de-tune each oscillator.
For each oscillator, you can set attack, release and portamento times. The portamento time is the time taken to “slide” from one note to the next.
The PortaRst parameter sets the amount of time before resetting portamento. After that time, a new note will not “slide” from the previous note. This is useful to prevent the first note of a piece from sliding from whichever note was played last.
The Random button randomizes all of the parameters. This can often give inharmonic sounding results because of oscillator de-tuning. Holding shift while clicking on Random produces better-behaved presets.
The AutoLevel button will set the MainLvl parameter so that the peak output level is around -3dBFS.
http://www.gvst.co.uk/
GSinth is a monophonic synth with three sine oscillators. It also features an LFO for controlling the output level.
The first oscillator will play at the frequency of the MIDI note pressed. The remaining two oscillators can be set to play at a multiple of this frequency. You can also de-tune each oscillator.
For each oscillator, you can set attack, release and portamento times. The portamento time is the time taken to “slide” from one note to the next.
The PortaRst parameter sets the amount of time before resetting portamento. After that time, a new note will not “slide” from the previous note. This is useful to prevent the first note of a piece from sliding from whichever note was played last.
The Random button randomizes all of the parameters. This can often give inharmonic sounding results because of oscillator de-tuning. Holding shift while clicking on Random produces better-behaved presets.
The AutoLevel button will set the MainLvl parameter so that the peak output level is around -3dBFS.
http://www.gvst.co.uk/
A sample library of a Squier Jazz bass guitar. The sustained notes have four round robins and four velocity layers. The staccato notes have one velocity layer and five round robins, and their endings are also used for the key release samples. Everything is sampled every minor third, with the low string also sampled tuned down to C#. Finally, there are some pick scrapes with four round robins. All that adds up to 310 24-bit 44.1 kHz wav samples and a 159 MB download.
Seven different SFZ mappings are included. The samples are recorded direct and processed only with noise reduction, so for a classic bass guitar sound they should be used with an amp simulator. The demo uses the most realistic mapping run through free amp sim and channel strip plugins, followed by the least realistic three-voice mapping run through a sweeping low-pass filter, reverb and compression.
https://soundcloud.com/karoryfersamples/growlybass-demo
http://www.karoryfer.com/karoryfer-samples
Groove Templates From 25 Legendary Drum Machines
Grooves From Mars is the most comprehensive collection of drum machine MIDI groove templates in existence. Created from 25 classic and modern drum machines, these templates will enable you to bring the unique feel and groove of each sequencer to your DAW.
Contents:
- (416) .AGR and MIDI Groove Templates.
- Created From 25 Legendary Drum Machines.
- Straight, Shuffle, Triplets, Patterns, and more.
- 4 bars long.
- 4.7 MB Unzipped.
http://www.samplesfrommars.com